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2014/05/27 at 7:43 pm #39955
I think there should be the option of setting this feature with any account. It’s a royal pain to have to log in every time I close the cover for longer than a minute. It should remember the last used board and login information for the last used account. As long as it’s a user selectable feature, I don’t see a problem.
2014/05/18 at 4:41 am #39803I haven’t had a chance to try it yet (haven’t had a show with more than a stereo room mic in a while) but I will post back with results.
2014/05/18 at 4:40 am #39802+1 for spreadsheet. It would be nice to hand this to a stagehand and not worry about having instruments in all the wrong channels for the first 5 minutes of sound check.
2014/05/18 at 4:38 am #39801I have a venue I would put something like this in. It’s a banquet hall with no real analog inputs of its own (all the wired/wireless inputs are routed to a Dante network through one means or another) so an option card would be a must. Though our current method of leaving the GLD-80 on in one of the other rooms and controlling the mix to that room with the OneMix app seems to be working all right for now, it would be nice to have a small physical desk.
2014/05/18 at 4:34 am #39800Good gain structure and mains at 0 would be ideal, and would make me happy; however, due to the nature of the room, we have a system that has power to reach 120dB with headroom that seldom runs above 80, thus everything looks tiny and meaningless (I sometimes never reach the second LED on the mains meter during a show). Any thoughts on how I could have everything running at an appropriate volume until after the output processing, then knock it down about 40%? That would solve the problem!
2014/04/22 at 3:29 am #39236Ah THAT would be helpful. It would eliminate the renegade crossover made out of parametric EQs that I have on LR-M outputs now.
2014/04/15 at 3:14 am #39050I see what you’re saying now. In this case, I think a scene would be the way to go (currently). I would be wary of that feature; I could see that getting sticky real fast, especially when channels which may not even be on a strip start feeding back.
2014/04/15 at 3:11 am #39049Ah now that would be handy. I often get people that step out to the mic before I’ve found my way to the Settings/USB page, and I lose the first second or so.
2014/04/15 at 3:09 am #39048I could not pull and reset them as fast as a ramp would. Then I lose my volume levels, and good luck if there’s a number of channels to be unmuted. Honestly I can’t think of a time when I wouldn’t want a slight ramp, especially when there’s lots of ambient noise involved (guitar amps).
2014/04/11 at 1:49 am #38932I can see it being useful as an expansion card. I assume you guys all know that Dante will let you do that, up to 64 channels, and much much more. It is a rather expensive option, I must admit, but I wouldn’t trade it for anything.
2014/04/11 at 1:44 am #38931Can you not just assign the channels to a DCA and make it recall safe? Then if the band gets called up, the DCA is still functioning, and accessible on a soft key. I never run a show without most of my channels linked to a DCA and on a soft button, even if it’s just for mute and unmute.
2014/02/16 at 1:37 am #37751I think what he’s looking for is a way to take an entire channel’s worth of data and store it in the library. So you know that Bob is going to sing on channel 1, so you recall the Bob entry on that channel and everything pops in, name, color and all.
There is not, to my knowledge, a way to do this. You can however save commonly used names (those white boxes under the keyboard for channel labels). You could, depending on the number of channels you use, leave Bob’s setting in Input 35, then patch (or unpatch) it from the I/O window. So if he’s singing into the microphone plugged into socket 3, you could patch socket 3 to input 35. If Joe is on input 24 and using that very mic next week, just repatch input 24 to socket 3. I couldn’t use this method due to the number of channels I regularly require, but it may be useful to you.
I am not sure of your level of sound experience; if this is confusing, look up how an analog patch bay works. It’s essentially the same process, but with a screen instead of wires.
2014/02/02 at 6:32 pm #37571I like the stereo channels over ganging because it lets me PAFL them in stereo, with one button. I can’t see any way to set this option in ganging.
2014/02/02 at 6:28 pm #375701. +1
2. I’m surprised there’s not a way to do this. I could see where this would be handy.
3. +1
4. Mine actually does this… Maybe it’s an option?
5. +1, as long as you could then disable it (and keep current settings) after setup
6. As an option. This would get me in trouble if I couldn’t disable it during a show
7. I believe the editor has a different show memory than the console. I think the implementation could be better, but I can see why it is this way.
8. Agreed. I am constantly trying to push that knob.2014/02/02 at 5:48 pm #37566I think you can do that from Settings->Memory->Library Manager. Those names might be a bit off.
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