[dpdanParticipant]

I love the purple boxes, the case is blue though

[dpdanParticipant]

Barry’s LED lamp would be a nice addition to my Qu24, AR2412 and AR84 which are for sale.
I have a wonderful ATA road case for the mixer too!

All items are in phenominal condition!!!
This gear is in St. Louis Missouri.
All three products will be shipped in their original boxes.
Send me a private message if interested.

[dpdanParticipant]

you can’t

[dpdanParticipant]

there are no stupid questions 🙂

[dpdanParticipant]

Bob, routing the reverb to the DRUMS group with the drums mics would preserve the dry/wet balance, but that is not an option when that reverb has other instruments in it. If one of the reverbs could be used just for drums then yes, of course.
Also, he needs a separate delay setting on EVERY mix.

Adrian,
your last question is confusing, I’m not sure what you want to do with ST3.

[dpdanParticipant]

Andreas, you said….

Select mix, hold Pre Fade button (on the left) and toggle all SEL buttons so the LEDs are on.
I think you meant so the LEDs are off.

He is using L/R for mains, with 5-6, 7-8, and 9-10 for stereo delayed systems. He is using post fader on 5-6, 7-8 and 9-10 with all the faders set at 0 db and all set to post. This allows him the luxury of riding faders in the L/R mix and having all of those changes reflected in the three additional stereo outputs, and having separate delay settings.
One DCA fader to raise and lower ALL the mains is nice, and a DCA is the only way to accomplish that.

[dpdanParticipant]

Dick, again you are correct,
but an old fashioned phone call is oh so much better 🙂

He’s all set

[dpdanParticipant]

I just sent you a personal message

[dpdanParticipant]

are you in the USA?
You could call me.

[dpdanParticipant]

in order to move the “ALL MAINS” DCA up and down,
it will need to reside in a custom layer since there are no dedicated faders for DCAs,,,

[dpdanParticipant]

close but no, 🙂

in order to see the DCA fader, you need to go to the custom layer and place that DCA in the custom layer,
I use an iPad and leave it sitting on the custom layer page, that way I always have access to it without having to switch away from my L/R mix.

DCAs are wonderful, instead of assigning all your drum mics to a group (which is such a common practice, but horrible).
With all the drums in a DCA named DRUMS, you can now raise and lower all the drums, and the effects will also be altered as well provided the effects like reverb are post fader. If the drum mics were assigned to a group, the reverb relationship (dry/wet) would change and not be consistent,,, try it. You’ll never want to use a group again. Just remember that a DCA does not pass audio, so you can not place a single compressor, EQ. or some other processing on all those channels like you can with a group.

[dpdanParticipant]

Assign all those outputs to a DCA.
The DCA can be raised and lowered and will basically be a remote controll of all those outputs.
A DCA does not pass audio, it is just a remote fader that can control numerous faders.

NOTE:
Even though you will move the DCA up and down, it will not cause the mix output faders to physically move as you would think,

BUT,,,, the audio of all those outputs will be raised and lowered in tandem.

[dpdanParticipant]

MarkPAman nailed it!

Well, so did Steffen 🙂

[dpdanParticipant]

connect a USB cable from the USB B connector on the rear of the console to your computer,

Open Cubase,

Make sure your audio interface for Cubase is set to the Qu,

Create 24 tracks (or however many you want to record)

Set the sample rate of Cubase to 48K 24 bit,

Hit Record

[dpdanParticipant]

Apple does not allow it, it is not an issue with A&H

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