iLive has been updated with dLive, GLD is the next and then Qu follows. That’s just my guess.
interested too! how to get in touch?
I also wish it to retain the last selected channel after reboot.
I wish they can put the Spectrograph or RTA over the EQ
Oh, I meant hardware wise inside
You can activate the compressor on the qu output and give it rather hard ratio.
Looks like it’s just the old purple mixer and racks are deprecated.
black is better, it has the locking XLR input socket
in the picture it is the chrome edition already
QuYou + Powerplay P1
Thanks for all the suggestions. Just to report back, I did try this last night on a 3-hour concert with a lot different people playing. It actually turned out to be very good. No body complained.
Because we have a lot of people swapping between songs, the individual instruments volume vary a lot. With post-fader, I don’t need to spend much time adjusting the monitors. I only need to focus on the FOH sound which I can hear, the monitors are automatically taken care of.
I guess sometime I just need think out of the box and try something new that may work the best for me.
I’m wondering if it make sense to send signal to stage monitor wedges with post-fader bus? I know that usually it is done with pre-fader bus so FOH and monitors are totally independent. However, when mixing FOH and monitor on one console, I found more and more they need to be related.
First of all, more than often musicians on stage are complaining they cannot hear some part of the band. If I set all the fader in the post-fader bus to 0, I can gave them a good foundational mix just like FOH. This sometimes is enough for them because when the band rehearse, a single speaker with good mix works for all of them.
Secondly, when an instrument needs to be adjusted in some part of the music, for example guitar solo, the monitors are automatically taken care. So I don’t have to go to each monitor bus and do the same. The moment will be gone If I do this with pre-fader bus. I found when a member took the lead in a part of the music, everybody follows him, so everybody needs to hear the lead more at that moment.
Last but not the least, I can always gave them more me or something using the +10 range of the fader/knob in the bus.
In this way, each monitor won’t have a chance to get into a very bad mix that is simply a miss. Will this work?
Thanks.
Digital RTAs use digital sampling technology and microprocessor based digital signal processing to perform necessary calculations, such as Fast Fourier Transforms (FFT)…
RTA is using FFT, OK?
route to mix1 and let the ME-1 have mix1 as one of the input?