Sometimes I think having a mute enable/disable option or soft key would be useful, similar to how mixing station works. Would help in situations where you might bump into a mute button unintentionally.
Another photo showing the triggers and logic behind connections in bitfocus.
Jgrift! Thanks! This is a perfect solution and an awesome looking tool overall. Looks like I will be able to integrate other apps and platforms into it.
Really appreciate you sharing this here.
+1 Filtering individual layer banks and letters would be helpful. I also like the DCA talk going on here, giving me some ideas!
+1
Hi Pedromigcruz,
If you switch the FX to a Multiband compressor then hit the bypass button on the compressor, you should get dry signal on the FX return. From there you would just need to patch the FX return to an output.
+1, Lots more soft key options would be greatly appreciated!
Bumping this, as it is a much needed feature aside from taping the side of my PC. Thanks!
In Dlive Director you right click the rotary knobs above the fader to change their function to pan instead of gain/trim.
Images were too large in the OP. Here they are.
My question was answered, for now I am going to accept that the signal will not be phase aligned with the rest of the band with the way I have it set up. I don’t see that as a huge issue as the choir is 50′ away from the band and using 24 individual dynamic mic’s, one per singer.
The reason for the funky routing is because there are 8 singers per vocal part: Soprano, Tenor, Alto. I want individual compression per vocal group, then I want to glue those 3 sections together with another compressor. At this point we are at: 24 IPs>3 Groups>1 Matrix then pulling matrix back into an extra IP slot to route to Main and a separate broadcast mix.