+1 the whole library system could use a nice update.
+1
Rebooting stage box resolved the issue. Usually can run for 4-6 months with no issue before a power outage causes a forced reboot. First time I’ve had to reboot due to an issue.
Want to take a moment to say thanks to the A&H Team for following through on this one!
+1 No matter how much I know that you have to hit apply, I am always forgetting and having to go back. In my mind, if you are on that page and changing the text, you already mean to be there and changing it, so it should apply live. Would make workflow faster.
+1. Mic’d stereo sources are typically ganged to allow separate preamp settings. Have been having to copy and paste as well.
+1
3. A scene filter preset library.
+1
+1
Yes exactly. As it stands now, if you try to create an FOH and broadcast mix, splitting resources equally, it seems impossible to mix the inputs of a group that is routed to the broadcast mix while having the “mix” button selected on the broadcast mix. You would have to switch to mix Main LR to change the levels feeding the group. then back to broadcast mix to change the levels of the groups going into the broadcast mix.
++1. Always miss it when coming over from Dlive.
+1
@Dilettant
The name of the game with higher sample rates is being able to add nice harmonics, saturation, and processing to a signal without adding aliasing withing the audible human hearing range. See this video for awesome visual detail.
“In this video tutorial, Dan Worrall explains when and why you should use higher samplerates for your recordings and mixing sessions, and more importantly… when you should NOT. Also, Dan goes in depth about oversampling vs. higher sample rates.”
+1 for metering source point changes via soft key settings or via scene recall block/allow settings to then assign the scene with the setting scoped to a softkey for easy changing of metering modes.
Here’s where the option is for selecting control of a 2nd pafl bus in director (or another surface)