Forum Replies Created
Viewing 12 posts - 1 through 12 (of 12 total)
Viewing 12 posts - 1 through 12 (of 12 total)
Thanks it was the assign button on the left of the channels. Channel 1 was not assigned to any mix.
Ah, yeah, prob not a good option since since I’m using 5/6, 7/8, 9/10 for monitor mixes for musicians headphones for tracking. I suppose I could change one of those to mono mix.
So how would I set up “post mix out to AES”? Sounds like I may my stuck using the alt out analog solution, which is quite disappointing since the S2V monitors have the AES3 input option. I’m guessing Allen Heath didn’t have this configuration in mind when they designed the QU series.
Muting ST3 fixed it. Thanks!
Ok I meant the Q-drive port, on the top. It’s a usb port. And yes it just started making noise after many successful recordings before.
It’s a portable drive. USB connection on it is different than any of my spare cables
“I would recommend using the Alt Out for this, as you can assign this to the PAFL bus”
I’l see if I can figure out how to do that Alex. Thanks
Thanks for all the input on this. I’ll rewire my Y cable as suggested:
So Both XLR – pin 1 to the Screen of the jack
Left XLR —- pin 2 to Tip of the jack
Right XLR —-pin 2 to Ring of the jack
In both XLRs, Pin 3 could be connected to Pin 1, though I’m not sure if that matters in this case.
Well its the Sterling audio 8 channel headphone amp. Model S418HA. There is a dedicated L and R in. There is also individual TRS inputs for each channel so you can send a different monitor mix to each channel. So I still need a Y-cable to get from 2 XLR TO 1 TRS.
Image of the cables I’m using.
I’ll be mixing with both
Thanks garyh. I will use ST1, but is there a way to bus that to the master fader channel, so I can control volume without having to switch to other layer. Or would I need to make a custom layer?
Please create an account to get started.