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Viewing 15 posts - 91 through 105 (of 244 total)
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  • #105216
    Profile photo of Søren Steinmetz
    Søren Steinmetz
    Participant

    No mix and/or group are hardwired anywhere, you patch them in the I/O tab.

    #105151
    Profile photo of Søren Steinmetz
    Søren Steinmetz
    Participant

    Hugh thanks, think we are 100% on the same page there.
    I have a SQ5 inhouse, but use a LS9 several times a year for smaller musicals, and the two consoles are similar enough that I can go on “auto pilot” for the main setup, yet different enough for me to always remember what console syntax I need to use 😉

    The main frustration I have seen concerning the SQ scene vs the LS9, is the ability to have fade times, and to make the scenechange right in the middle of a manual fade.
    For OP’s use I doubt that will be any issue though.

    #105142
    Profile photo of Søren Steinmetz
    Søren Steinmetz
    Participant

    You have 12 AUX/Group/mix buttons on the SQ7 vs the 16 on the LS9
    How ever, on the LS9 4 of these are usually used for the FX, where as the SQ has 4 seperate sends for that.

    And if you want a stereo group on the LS9, you take up 2 mixes, on the SQ you still only use a single mix (all 12 can be either mono, stereo or a combination) 🙂

    The DCA’s are merely a remote, just to keep in mind, as you will not have any group processing like comp or eq on those.

    Oh and Hugh, what do you mean by Yamaha protocol?
    Just curious since I run both console types 🙂

    #105116
    Profile photo of Søren Steinmetz
    Søren Steinmetz
    Participant

    With the XLR outs directly on the console and no need for the master out, you can have 6 stereo aux via the XLRs and you can use the A/B TRS jacks as another set of outputs, and the AES as a digital stereo output.

    To get all 12 AUX as stereo you need to add an external device, AB/DXl68, AR2412, DX012 or similar
    (or add on a Dante card and get the DT02 or any other Dante to analog box)

    #105098
    Profile photo of Søren Steinmetz
    Søren Steinmetz
    Participant

    Short: yes

    Bit longer: As the XLR outputs (and inputs) are balanced mono, you will need to use two to get stereo out.

    #105079
    Profile photo of Søren Steinmetz
    Søren Steinmetz
    Participant

    Soundwise the SQ5 and SQ7 (and SQ6) are 100% identical, as the only difference are the number of faders and local I/O ports.
    (and the 6+7 got more soft buttons you can program as shortcuts)

    #104810
    Profile photo of Søren Steinmetz
    Søren Steinmetz
    Participant

    An ideer with this, could be a small unit that enabled the use of the CC-7 and CC-10 panels as well.
    (in a way like they function on the AHM-64)

    But yes a fullblown html5 webserver would be awesome to have.

    #104240
    Profile photo of Søren Steinmetz
    Søren Steinmetz
    Participant

    Remember in “Security & Privacy”
    you need to allow the Mac to get input from the SQ.

    #104166
    Profile photo of Søren Steinmetz
    Søren Steinmetz
    Participant

    Just patch the Cajon’s mic input on two channels in the I/O routing.

    Then un-assign the streaming channel from the mail and send it to an unused Aux or group, and send that to the streaming matrix.

    Better might be to make a dedicated streaming AUX, that will give you independend level control of all inputs fir the stream.

    #103864
    Profile photo of Søren Steinmetz
    Søren Steinmetz
    Participant

    @keithjah Thanks Keith, it is getting better day by day, should be back to normal in a week I hope (getin for a musical soon) 🙂

    And right it was where your protocols was placed on the OSI layers I had forgotten.

    #103861
    Profile photo of Søren Steinmetz
    Søren Steinmetz
    Participant

    The DXHub and all the A&H protocols (GigACE, SLink etc) are not based on the Ethernet protocol.

    All of the A&H protocols are end to end based topology, where Ethernet (normal 10/100/1000baseT/TX etc) are star based topology.

    The main reason I could guess is kinda the same why programs only work on either Windows, Mac or Linux and not on all of them.

    Guess someone better at english than me (and not on painkillers after an operation) might be better at explaining.

    #103844
    Profile photo of Søren Steinmetz
    Søren Steinmetz
    Participant

    The difference is the DX-Hub has an internal GigAce “switch” that a normal ethernet switch does not.

    The issue is we are talking two completely different types of communication, with only the cables and connectors being similar.

    #103482
    Profile photo of Søren Steinmetz
    Søren Steinmetz
    Participant

    Have you changed the USB on the colsole to USB-B ? (the USB on the back, as I presume you use that port)

    #103410
    Profile photo of Søren Steinmetz
    Søren Steinmetz
    Participant

    When ever the console is on, the Dante card will be operational and thus need at least some cooling (less than when utilized though)

    The only way to disable it would be tio unmount it from the console prior to boot.

    #103409
    Profile photo of Søren Steinmetz
    Søren Steinmetz
    Participant

    Ahhh then I understand your post.

    We are not talking the src but the splitting of the Dante network right in the card, agree that will be a very usefull feature when arriving to (some) venues.

Viewing 15 posts - 91 through 105 (of 244 total)