[Rob-SpenceParticipant]

quote:

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Originally posted by Chris93

Keying from other channels is currently one of the features that’s being reserved for iLive.

If you really wanted to do it you could send the kick to a group, use ext in to insert the sine wave, and then feed an input channel from that group using the input channel gate. It doesn’t do exactly what you want as you’d be gating both, but it’s the closest you’d get.

Have you tried the Infrabass FX?

Chris

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Do you know sidechain from another channel is reserved for iLive or are you assuming?

I miss ducking that my LS9 could do and other less expensive boards can.

rob at lynxaudioservices dot com
GLD-80 w/M-DANTE, AR2412, AR84, MacBook Pro, Reaper

[Rob-SpenceParticipant]

Apple vs android is often a product support cost business decision.

On the iPad, there is only one carefully controlled development environment. An app for the iPad works on all iPads as long as it has enough processor or graphics (some things don’t work well on iPad 1).

On android, there is a huge variety of different hardware with differing screen sizes, shapes and capabilities. That makes for a very expensive development and testing situation and leads to a complicated support environment too. What does support do when a user calls with a problem and the company has never seen the device?
Also, android devices have a very short market life. Devices available last year may have already been replaced with newer, but perhaps not 100% compatable models.

While some other companies are supporting android or windows, there may be a good reason why all of them bring out an iPad version first.

It’s just a tool. If you want remote control, get the tool.

rob at lynxaudioservices dot com
GLD-80 w/M-DANTE, AR2412, AR84, MacBook Pro, Reaper

[Rob-SpenceParticipant]

quote:

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Originally posted by byondo

in fact my idea was some sort of Ilive IDR-0 equivalent.
I already have a GLD80 (with AR24 and AR8) and I use it for everything, even if I need only, e.g., 8 channels and 3 auxes.
Something cheaper than QU16 that can be put in the rack together with AR’s (maybe less DSP power than a standard GLD80, let’s say only one AR24 or AR8 compatible)would be a great portable solution for smaller events. I/O would be just d-snake port, lan and a trimmed headphones output for pafl’s.
Am I just dreaming?

Regards
Massimo

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Sounds like you want A&H to build a competitor to the Behtinger X32 core. It would seem that the market for that is installs such as hotel ballrooms which are mostly set and forget.

rob at lynxaudioservices dot com
GLD-80 w/M-DANTE, AR2412, AR84, MacBook Pro, Reaper

[Rob-SpenceParticipant]

One “isolation” thing to think about..

Whenever you have an output going to some one elses input, it is good practice to Isolate it. A stereo iso transformer or a pair of passive DIs.
The problem is that if the other guy has phantom turned on (or turns it on), it can do funky things to your console. I come from a Yamaha world where phantom on an output didn’t damage anything the couple of times it happened bit it made some awful sounds. I don’t know how resiliant the GLD is to this sort of thing.

I am much more careful now and always isolate feeds to other people.

rob at lynxaudioservices dot com
GLD-80 w/M-DANTE, GLD-AR2412, AR84, MacBook Pro, Reaper

[Rob-SpenceParticipant]

quote:

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Originally posted by Joe Hinkens

For our band, I created a new show and then built several scenes within that show.

This weekend I’m running sound for an event with an entirely different setup of routing, instruments, etc, much different than our regular setup. So I created a new show and started a new scene in that show.

Now I’m wondering if there is any way to copy a lot of the library entries I created in my original show and paste them into the new show to save time.

As I think it through, I probably could have just kept working in my original show and created new scenes. Any thoughts or suggestions?

Thanks,
Joe

GLD-80 w/M-DANTE, GLD-AR2412, MacBook Pro, Studio One 2

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I would have simply saved my earlier show as a new show name and proceeded from that.

rob at lynxaudioservices dot com

[Rob-SpenceParticipant]

So, since I only have a single AR84 and I plan to use it (in this config) at the suface, I took channel 25 (for example) and in the processing screen, set it to input 17 resulting in 2 channels from input 17.

Is there a way to create some virtual channels so I don’t have to give up a physical socket to achieve the soft patch? This isn’t any better than using a real Y cord other than not having to buy another AR84. Of course, I DO plan to buy one and use it as a drum snake. Then this technique falls apart.

rob at lynxaudioservices dot com

[Rob-SpenceParticipant]

quote:

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Originally posted by Simon

Hi Rick.

I can confirm that there is an issue with naming channels this way – the ‘start’ and ‘end’ channel numbers are not currently linked. Until the issue is fixed you can name a channel by manually setting the ‘start’ and ‘end’ channel numbers to be the same.
A quicker method of naming channels would be to go to the processing view, SEL a channel and open name and colour from the menu. You can then use the keyboard TAB or SHIFT TAB to move forwards and backwards through the channels as you name them.

Drag and drop of channels in the strip assign page works the same as on the GLD. If you are still having difficulty with this feature please can you open a support ticket.

Cheers,

Simon, A&H

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This seems to also be a problem when assigning output sockets.
I wanted to move the LR mains to sockets 11,12 and aux 1-6 on sockets 1-6. However, I cannot change the “1L” to “1R” on socket 12 nor change socket 2 to Aux 2.

Edit:
I found (by accident) that click/hold on “1L” and move the mouse right incremented the value. Sure would be nice if there were some sort of visual feedback that you had selected the field.

rob at lynxaudioservices dot com

[Rob-SpenceParticipant]

Note that a new forum for QU-16 was created recentl.

rob at lynxaudioservices dot com

[Rob-SpenceParticipant]

Thanks for the great explanation.

rob at lynxaudioservices dot com

[Rob-SpenceParticipant]

Blush.
I should have RTFM.

I was trying to click on the little mix button.
Much better now.
Next week I will update to 1.3 and install the editor.

I hope they do a ducker next update.

rob at lynxaudioservices dot com

[Rob-SpenceParticipant]

Ok, I need to read up on recall filter.

Interesting trying to translate my Yamaha knowledge to the GLD.

rob at lynxaudioservices dot com

[Rob-SpenceParticipant]

Thanks. I found it in the Other tab.

So, now another question to make sure I understand SAFE in the GLD.

The safes are set in a scene and saved.
So, when I recall a scene, is the safes in the recalled scene or the safes in the currently loaded scene that are in effect?

I am thinking it is the ones in the scene being recalled. ???

rob at lynxaudioservices dot com

[Rob-SpenceParticipant]

quote:

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Originally posted by joeymauro

Is it possible?? Or are DCA’s already stereo??

I want to send a left and right channel to a left and right DCA and have it come out the mains as left and right(obviously), but I don’t see where to do it. Our old GL2400 allows this, but this unit doesn’t seem to.

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Also note, you don’t send to a DCA. The DCA Is just a control to the channel faders, no audio is involved in DCAs.

While this is an old post I thought an explanation might help.

rob at lynxaudioservices dot com

[Rob-SpenceParticipant]

Thanks

I didn’t see a Patchbay in the scenes but will look again. Perhaps on the GLD it is a little different?

rob at lynxaudioservices dot com

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