[MasterLufierParticipant]

aux pan follow main sometimes is needed for monitor engineers when they are working with big band in iem.

[MasterLufierParticipant]

Yes, please. It’s very needed for rehearsal a soundchecks.

[MasterLufierParticipant]

I think A&H add full customisable Home button on next time.

[MasterLufierParticipant]

Yes, Gustavh. Thank you for answer. Now I need use channels->group->matrix, and it works fine, but needs additional mixes.

[MasterLufierParticipant]

Sorry for topic starter, but i think tor was right. Currently, dLive system have most important issue and suggestion.

[MasterLufierParticipant]

to Gustavh: If I do have more than one external console on festival, and need have mute it, for safety reboot and shows recall, i can’t use Ext.IN.

[MasterLufierParticipant]

Yeah, i’m confirmation, it’s bug. Sometimes it’s working, sometimes not. Thank you for this discussion. I hope, It’s will be help for solution

[MasterLufierParticipant]

Sorry, forum engine damaged my text scheme. I hope you will understand.

[MasterLufierParticipant]

I’m sorry. I’m right understand, that you routing:
`
drums channels -> drum group(comp) -> main(mastering comp) -> matrixes on PA,SUB,FILL,REC bla-bla-bla…
band channels -> band group(comp) -^ ^
Lavs/media ch -> group (W/O comp) —————————————|

What’s i missed?

[MasterLufierParticipant]

And “group to group” paradigm is will break Allen&Heath concept and other live mixing consoles schemes, which have group/aux/master/matrix, and will have only multi-function “BUS” for everything.

However is possible will be make groups layers in mixer config. It’s more easily to use and understand. For example, groups of layer one can route to groups of layer two, layer two – to three, and so on.

[MasterLufierParticipant]

to ThatComplicatedMidiGuy:
1) 96kHz not 192kHz.
2) 180 degrees phase shift on 16kHz – 0.03125ms = 3 samples, on 8kHz – 0.0625ms = 6 samples, on 4kHz – 0.125ms = 12 samples. I don’t know how many sample needed for bus on dLive, but i think more than 3 samples, and it add comb filter on sound frequency range. May be it’s not a big latency, but overall digital mic->external channel strip->console-> IEM requires as little as possible.
3) I did read topic on your link, and didn’t seen answer, why i doesn’t rights. If i’m right understand, for A&H coherence more important, than everything else.
You can use parallel compression on each channels, on each aux, on each group, master and matrix. What’s you need else? It’s more, than others live console at world.

to Kristian:
Yeah, that’s excellent, and i hope, that’s true, but in Russia not so many engineers of high qualifications. Even those who believe that they have it. ))) I think that are many places where there are the same people.

[MasterLufierParticipant]

Yes, i’m understand you, but it’s have some problem:
1) All managing this chaining will must do user, and some of user may be do not understand, why channel->main and channel->group->group->main will be incoherence.
2) Overall system latency will be increase on each group->group iteration.

But some my friends choose DiGiCo first due this feature.

[MasterLufierParticipant]

don’t more, than eight releases ))

[MasterLufierParticipant]

Hi.
First: You can send aux to group. If you click “Mix” button on group – aux master fader will switch to “Send on fader” Mode. See screenshot my Director. But i don’t understand, why it’s don’t see in Routing screen. May be it’s Easter Egg )))
Second: sending group to group, like DiGiCo also increase latency and make incoherence between channel, which sent directly to Main, and chain of channel->group->group, which sent to Main, like DiGiCo ))
DiGiCo have backward delay knob on group, but it’s don’t resolve this problem, even this knob turn full to left. )))
Best Regards.

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