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Viewing 15 posts - 1 through 15 (of 22 total)
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  • #86536
    Profile photo of Bis-Repetita
    Bis-Repetita
    Participant

    I just had same issue last venue

    Checking and setting with the groupe ok
    second group ok
    recall the scene and bimmm

    trouble with level on recall scene

    #86496
    Profile photo of Bis-Repetita
    Bis-Repetita
    Participant

    Keep on searching on this recall scene default because I received pictures of this venue
    and we clearly see this high gain mic left opened, stand alone on his K&M foot,
    but WAS NOT plugged.

    #86489
    Profile photo of Bis-Repetita
    Bis-Repetita
    Participant

    Ok, most probably me while storing scene with a high level gain mic stayed open
    between 2 scenes and forgot to mute.

    How is it possible :
    1st group check, tune FOH and return. 3 vocal mic in front of stage.
    Drummer don’t sing. Line is open, gain is high from a previous stage, plugged into AR2412 but there’s no mic yet.
    2nd group same way BUT the drummer sing. So reduce the gain, plug a mic.
    Now recall 1st group scene and what you have?
    An open mic with high gain from previous scene.

    If it happen 2 times this last 2 years, It only can be me.
    Need more focus sometimes.

    Sorry for this post, delete if you think it’s useless for the community!

    #86488
    Profile photo of Bis-Repetita
    Bis-Repetita
    Participant

    Hi and thx Alex,

    I did the job by correcting the levels to leave the FOH and the stage playable…but musicians and singers was crying because of the low level I did when I jumped on faders to calm down this mess.
    After I tried to level up again a bit to bring back monitors but it was no perfect.

    I think I finally did a “store” scene again before end of the show.

    Btw, I just sent by email to you. That’s just the 2 last one on my desk
    000  “eko vervins”   who had the recall problem
    and 001 “kaiser vervins” wich work without recall because concert start with this group and no need to recall ,
    with the show named “bis-repetita”.

    Have a good day, Laurent.

    #82239
    Profile photo of Bis-Repetita
    Bis-Repetita
    Participant

    Same trick for my subs on mix1, between 2 and 3ms for a 200 peoples gig.
    Try it and venues takes some presence.

    Also for an instrument, put it 20ms before all others
    and it get louder without touching any faders.

    #81398
    Profile photo of Bis-Repetita
    Bis-Repetita
    Participant

    yeah, remember I’ve finished mine with switching pins too!

    #81393
    Profile photo of Bis-Repetita
    Bis-Repetita
    Participant

    Aaronious, dick said it right
    but i’m not surprise your subs rumbled so much,
    i think your gain is to high on this.

    when I can’t play around -3 and keep something for the good moment
    when have to push an instrument…hard for you.
    Imagine trying mixing with all faders down, a small solo can’t get pushed up without scaring everyone
    because de difference is too important between your 2 levels (on faders and so on dB).

    #81366
    Profile photo of Bis-Repetita
    Bis-Repetita
    Participant

    Hi,
    here playing for 200~300 peoples in place almost all time, in various places.

    I usually put the

      gain

    for louder instruments around -6 like kick drum and the bass-guitar
    (they both go to an aux-mix then to 4×18″ subwoofers),
    rest of all around -3,-2 on vocals, depends on the singer(s) 🙂
    on 2 x 15″ speakers.

      Faders

    almost all to -3 to keep some reserve for solos or bring up congas ie
    and -2 or 0 for vocals, wich is in front of my mix.
    I play in small venues so electric guitars faders often are around -10
    because wa have the natural sound of amplifier.
    Same reason for over-heads on drum, just a smooth L/R to fill or raise the space.

    That’s it for me, a good starting point.
    And so when I sum all this, my master is in the yellow on the tempo -> kick and bass
    and stay just to 0 for the rest of time.

    #80687
    Profile photo of Bis-Repetita
    Bis-Repetita
    Participant

    hi all,
    old post but still…

    Once I’ve lost FOH : no sound anymore. The show was ok for half an hour
    and L/R cutted off, why? I never knew, but imagine the thrill!

    Well, it was a small venue and for the last gig, just 2 electro-acoustics guitars players with their 2 vocals mics.
    So I took 4 returns mix from the previous band, and flip back from stage to the public.
    Sending FOH with my output mixes.

    #80085
    Profile photo of Bis-Repetita
    Bis-Repetita
    Participant

    get it, thx GCumbee!

    blue/white blue and brown/white brown are unused on ‘Ethernet LAN Standards’ chart
    Not in GigaBite, wich requires 4 pairs of course, it’s ok.

    I will try this on a tiny box/pc cable first then why not the long one.

    Want to heard about this or not guys? I can give ou some news soon…

    #80073
    Profile photo of Bis-Repetita
    Bis-Repetita
    Participant

    huu!?

    So, can I make myself this wiring by taking cables, wich are not use by DSnake protocol?
    Wich one?

    #80064
    Profile photo of Bis-Repetita
    Bis-Repetita
    Participant

    Oh, seems I did a mistake by saying something.
    I think I had some confusion on wires/cables and protocols.
    I did check!

    Thx guys for your responses …and sorry for that.

    #73401
    Profile photo of Bis-Repetita
    Bis-Repetita
    Participant

    Stage box with cat5 cable is just great!

    #73380
    Profile photo of Bis-Repetita
    Bis-Repetita
    Participant

    hi,

    if we can’t just because of the protocol, that’s all, end of game 🙂

    #73349
    Profile photo of Bis-Repetita
    Bis-Repetita
    Participant

    yes for sure :100m = 100 meters.

    But look : they recommend cat5 (and not cat5E cable). This means 100MB/S at miximum speed.

Viewing 15 posts - 1 through 15 (of 22 total)