[SRDParticipant]

I think you need to familiarize yourself with the app Glenn 🙂

Manual

[SRDParticipant]

“Feed mix one out to second transmitter”.

Should that not be mix 2 out to second TX?

[SRDParticipant]

The channel Direct outs are the only feeds with the option of bypassing the Mute. Is it possible to route the channels you want to send to your MPC via USB out?

[SRDParticipant]

Why not just limit other user’s access to scene 50 only, and if they edit anything, then simply copy scene 1 back into 50 after the event, restoring to default.

[SRDParticipant]

Thanks for the heads up Dick. I’ll look into this.

I’m using the same P.A. system every time, but it seems to me it would make a good diagnostic tool as well.

[SRDParticipant]

As I said in my original post, a starting point to save a little time was all I was hoping to gain. I’m aware of the variables, however, I’m not really trying to duplicate the exact acoustics of any given night, just a bit of a headstart when soundcheck times are tight which they often are.

[SRDParticipant]

Cheers coffee king, the 30 slot allocation is more than enough. I just divided 100 roughly by 3. We do play venues repeatedly but as you say it’s minimal the amount of parameters that need retaining.

[SRDParticipant]

Detune on an ADT FX patch would be nice.

[SRDParticipant]

Thanks for the quick response Lee7,

The LR EQ will be different for every scene anyway as it will be for our band only, but at different venues. The allocation of 30 scenes to each of my bands is nominal and more than covers the amount of venues we will be playing.

Thanks again for your help.

[Author]

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