[Proper Audio]

+1

[Proper Audio]

I would use something between 50 and 70 Hz for starters and adjust to taste. Really helpful if you have a badly tuned kick drum and a D112 only.

[Proper Audio]

Cheers mate. That’s very well hidden indeed.

[Proper Audio]

+1
I will have to run 8 stereo IEM mixes later this week with lots of stereo inputs. Not exactly my favourite thing to pan every single one of them in 8 stereo mixes.

[Proper Audio]

Yes, changing the PFL source from “post delay” to “post PEQ” is a workaround. I’m also using soft keys to assign individual channels to the AMM – however you are limited to a total of 8 inputs on the SQ5 (as there are only 8 assignable soft keys).
I still would expect the AMM to work more as a DCA control instead of introducing yet another gain stage in front of the faders.

[Proper Audio]

+1 – if I remember correctly, I already requested that.

[Proper Audio]

Yes, reset works – but it still doesn’t show any values for the actual pan position and the visual isn’t very exact either.

[Proper Audio]

Also take into account not all multimeters measure true-RMS. Regular meters are meant to measure show correct values at 50 or 60 Hz (power line frequency) and could show wrong voltage values when the voltage to be measured has a different frequency.
However: if one output delivers a much lower voltage than all the others with the same meter and under the same conditions, something is wrong.

[Proper Audio]

you did read the word ‘virtual’? 😛
Basically some kind of ‘digital snap’ when you get close to center position. Should be easy to program the thing so you need to advance the encoder 2-3 increments before it actually changes the pan position.

[Proper Audio]

+1

[Proper Audio]

+1

Our SQ-5 was initially bought for small stream and broadcast jobs with too many inputs for the MixPre that I would use for the really small productions.
Not being able to use PFL and not being able to see signal present on the channel meter LEDs makes the AMM rather useless for that kind of productions. Hence I’m back to the X32 rack for those productions for now…

[Proper Audio]

+1

[Proper Audio]

+1

[Proper Audio]

+1
I’ve been using side chain compression on delay returns since the analogue days. My workaround on the SQ is basically sending the FX return into a group (wasting a group…) in order to enable SC-compression.
I’d rather have an FX buss that allows for SC-compression on the return, using the input signal of said buss as a SC input for the return’s compressor.
Should that cause routing or coding issues: I’d be happy for a delay/echo FX unit with internal SC compressor / ducker with variable timing instead.

[Proper Audio]

Yes please! The X32 can do this 🙂

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