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  • #111679
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    Jem
    Participant

    Hi Pointblake,

    I just tried adjusting the matrix delay values in Director and it’s working fine here for me, latest version of Director on Windows 10 3XS laptop. The screenshot you posted is the correct place to make those changes. You should be able to left click on the value and then drag to adjust. If that’s not working, check you’re on the latest version of Director, and/or try installing Director on a different laptop and see if it works there, as it could be something specific to your computer. Best of luck.

    #111052
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    Jem
    Participant

    We came up against this issue on the C2500 at our theatre, that fader’s repaired now but this thread got me thinking that the way a faulty fader is handled could be improved upon. The OP mentioned IEM mix bus faders being bumped down to -inf dB because the fader wasn’t moved to the correct position and this is exactly the kind of “oh s**t” moment I had mid show; in my case it was a balcony fill that got turned down on paying customers.
    It occurs to me that when a faulty fader doesn’t quite make it to the correct value or doesn’t move at all, the last thing you want the console to do is update that channel/bus with this new (and wrong) value. Wouldn’t it be great if instead, the console alerted the user that the fader didn’t make it, maybe the LED strip could start to flash or there could be some other visual sign that the fader hasn’t moved correctly. Crucially, the console should maintain the correct value and allow the operator to move the fader there if they want to, or ignore it if it doesn’t require adjustment. The user knows there is an issue but can remain confident that balcony fills and IEMs aren’t going to get turned down erroneously, then they can investigate if they’ve got a bad fader after the show.
    Not sure how other manufacturers deal with this as I’ve never come up against this issue on anything other than dLive. Maybe others here can think of downsides to what I’m suggesting but it would be great if A&H could come up with a way to solve this.

    #110389
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    Jem
    Participant

    Going back to the original point of this thread, seeing where groups (and master) are routed to would be very helpful so a big +1 from me. Touring engineers that come through our theatre and use our dLive often ask this question.
    Interestingly it’s available on the QU.

    #110388
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    Jem
    Participant

    +1
    This would be amazing for all gain sharing scenarios.

    #66506
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    Jem
    Participant

    I couldn’t agree more. My theatre is considering buying an SQ but the lack of HPFs on the outs is a real fly in the ointment. It would be such a useful feature and seems like an odd omission. An option to have LPFs on the channel EQ would be great too.

    #59104
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    Jem
    Participant

    I agree that a good speaker management system is all that’s required for speaker protection but sometimes we all find ourselves working with less than ideal systems and on those occasions I too would find a HPF on the mix outputs a valuable tool.

Viewing 6 posts - 1 through 6 (of 6 total)