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Viewing 15 posts - 16 through 30 (of 154 total)
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  • #112781
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    Dave Meadowcroft
    Participant

    It depends on what else is bleeding into the mic. Find a prominent frequency from the instrument that will trigger the gate to open as you want and then experiment with High/Low/Band Pass and tweak until it works.
    No two setups are the same unfortunately.

    #112746
    Profile photo of Dave Meadowcroft
    Dave Meadowcroft
    Participant

    Engaging the filter with suitable frequency settings will allow you to have a lower threshold which I find helps.

    #112218
    Profile photo of Dave Meadowcroft
    Dave Meadowcroft
    Participant

    SQ MixPad 1.5.4 released yesterday I think has resolved this for me 😁

    #111792
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    Dave Meadowcroft
    Participant

    Hi Steve,
    You can do this exactly as you describe.

    The problem you will have is due to the limitation of FAT32 (which the SSD will need to use to be recognised by the SQ) which has a maximum of 4GB file size.
    12 hours at 48 kHz (24 bit) is 5.8 GB per track. The max you can do continuously is 8 hours.

    #111728
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    Dave Meadowcroft
    Participant
    #111727
    Profile photo of Dave Meadowcroft
    Dave Meadowcroft
    Participant

    I’ve never noticed a difference with outputs, but there’s a perceptible difference with inputs. Not better or worse, just different. I prefer the GX/Dx ins personally.

    #111712
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    Dave Meadowcroft
    Participant

    Playback of the odd file for band intro music is convenient using SQ Drive.
    Anything else I use a laptop connected to ST1 or 2, and I always have a 3.5 to 3.5mm cable in ST3 (and Lightning/USB C adapters) plugged so I can drop a phone etc in at a moments notice.

    #111697
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    Dave Meadowcroft
    Participant

    @KeithJ A&H
    A little more info now the gig is done…

    This time it wasn’t a cold start.
    The console was switched on at around 3pm and then locked at 7pm.
    I unlocked it at 9pm successfully but it immediately froze.

    A restart using the power switch (after turning off all the PA and monitor amps of course) sorted it and the rest of the gig was fine thankfully.

    Hope that helps!
    (Back on 1.5.4 now)

    #111696
    Profile photo of Dave Meadowcroft
    Dave Meadowcroft
    Participant

    I never had this in the 2+ years since I got the SQ until last week, and again tonight just before the show started!!!

    It was rock solid on 1.5.4so going back to that tomorrow.

    So long as you don’t have any newer stage boxes with the recent component changes then you’re good to go back.

    #111650
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    Dave Meadowcroft
    Participant

    Yes, definitely 100% clean files.
    I’ll try converting a 24-bit one that works to 16 though to be sure.

    I’ve not tried mono, but I can’t remember the last time I needed one apart from multitrack of course! I will try those as well this weekend if time allows for completeness.

    #111647
    Profile photo of Dave Meadowcroft
    Dave Meadowcroft
    Participant

    This happened to me on Saturday at start up for the first time in over 2 years of owning the console.
    Recently updated to 1.5.7 from 1.5.4…
    A restart using the power switch sorted it – but it was a bit worrying. There’s definitely a firmware bug, I might go back as I’m not using any new hardware with component changes.

    #111646
    Profile photo of Dave Meadowcroft
    Dave Meadowcroft
    Participant

    Hi Tobi,
    Except it says:
    “These can be mono or stereo, uncompressed PCM *.wav files, 44.1, 48 or 96kHz and 16 or 24-bit”
    which is not correct. Only 24-bit is supported.

    #111593
    Profile photo of Dave Meadowcroft
    Dave Meadowcroft
    Participant

    I had the need to do this today so I created 6 wav files, also using ffmpeg:
    44.1 kHz 16 bit
    44.1 kHz 24 bit
    48 kHz 16 bit
    48 kHz 24 bit
    96 kHz 16 bit
    96 kHz 24 bit

    After dropping into the USBPLAY folder, all the 24 bit files are displayed and play fine. The 16 bit files aren’t displayed so it seems only 24 bit is supported.
    Firmware version 1.5.7

    #110332
    Profile photo of Dave Meadowcroft
    Dave Meadowcroft
    Participant

    As a sound engineer in a live venue I share your frustration with this. I was surprised when I first got the console that it worked this way.

    In reality, it doesn’t actually cause a problem, for me at least. I wait for a brief gap between tracks in the background house music between sets and switch shows then – keeping my right hand ready to adjust the master. The drop in audio is only ever a fraction of a second and occasionally there us a very brief click, but nothing the audience would ever notice. I should add I have a channel dedicated to the house music in every show and always with identical settings, and the same PA / fills are used for every show.

    For stereo inputs there is the stereo image control in the preamp settings where you can choose L/L for example to drive both sides of a common (to all shows maybe) stereo input from a single mono socket.

    Unfortunately, there isn’t a similar stereo image function for outputs to sum a stereo bus to a single mono output socket. If there was then the limitation could be worked around, but I suppose that requires processing and the phase coherency considering too so not as simple as it sounds to implement.

    #110229
    Profile photo of Dave Meadowcroft
    Dave Meadowcroft
    Participant

    Thanks Brent,
    That would explain it.
    Hopefully (!) there will be a feature release firmware update in the near future which will require an app update too anyway so should get resolved then.

Viewing 15 posts - 16 through 30 (of 154 total)