My recordings on Qu-16 + an AR box often go Kick, Snare, Mix 9, Mix 10. Mix 9+10 is a mix of the rest of the drum mics, which I balance during the sound check.
The other trick that I’ve used, when I have musicians who change instruments, is to send all of one person’s channels to a single Mix and record that, rather than have, for example, 6 string, 12 string, National, and whatever, all of separate channels. I can later duplicate that Mix for each instrument used, in my DAW, and treat each one separately if needed for the mixdown, meaning I only need to mute the ones not in use.