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  • #44517
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    j.hester
    Participant

    Thanks all, this has been really really helpful and insightful. I think we’re def gonna look into assigning different FX for FOH and monitors until we can go with getting a separate monitor world.

    If you guys think of anything else let me know and thanks again for the help!

    Josh

    #44495
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    j.hester
    Participant

    To run monitors off of a laptop with editor we’d need to send the signal from the GLD via Dante? How would you set that up?

    Also, if you only had a GLD-80 and iPads running GLD One Remote for each band member to control their mix how would you, in an ideal mixing world, set that up so that the band person still gets a nice “live sounding” wet mix without any interference from FOH changes and vice versa.

    Thanks again for all the help, this has been super helpful so far!

    Josh

    #44487
    Profile photo of j.hester
    j.hester
    Participant

    Yeah, we recently checked that but they are all set to Pre Fade with the pick off point set to Post Delay.

    I have also noticed that certain things will still cut through the IEM monitor mixes even when they are turned all the way down on the GLD One Remote. It’s not til I turn down the effect returns in the GLD One Remote that the level of that particular instrument is completely turned off. Is there perhaps an effects send issue here?

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