In the past, with analogue consoles, you could always do anything you wanted. But even with them there was no solution to route a subgroup directly into another subgroup. And it was precisely for such applications that the matrix was invented.

The nice thing about a matrix is that you can use it as a collecting basin for all kinds of signals. No…[Read more]

I would also like to ask you once again to implement an RTA solution in the background of the PEQ window.
In the iLive there was already the RTA in the GEQ window, which has always been a very good idea.
It would be logical to be able to use this in PEQ as well, because it would make our work easier.

+1

I always solve this via a mono-matrix.

But also I think that it could be solved more easily and directly.

i haven’t tried it, but i’m sceptical if you can get an AES signal to analog so easily. it would be nice if it were that simple.
have you tried this before?

if you switch off the surface, i.e. completely disconnect it from the power supply, then no talkback microphone will work.

on the other hand, if you switch off the surface via the screen but leave it on, the connections will continue to run – the network connection will still work.

We had already requested a direct input of delay values somewhere before. This would indeed be helpful, e.g. if you have measured the delay for a delay line and want to enter the value

that’s interesting. i thought so far that you can’t mix single and multimode, because they are different cross sections and i suspected that the lenses would have to be cut differently, because the angle of light entry is much narrower in singlemode. I must have misunderstood that.

+1
i would like to join you: the workaround is a good idea to minimize this functional limitation of IP8. But if the control of IP8 would work as Mfk0815 described it, IP8 would be much more flexible to use.
I missed this functionality in the beginning, but I got used to the fact that it doesn’t work. It’s good that my colleagues take it up…[Read more]

Oh, I didn’t know that yet either.
So I still learn something new here 😉

so with my director, it works.

I’ll be glad to join you. This is an interesting application!

Note: It is known that the ACE connection can only run via Layer2 Switch. It can also be found somewhere in the manual 🙂

I recently tried to connect a DX168 with simple TP-Link fiber optic format converters via fiber optics. Unfortunately this didn’t work, I had clicks and didn’t…[Read more]

the output meters, on the other hand, I like to set to post-fade 🙂

In a hectic festival situation it happened to me that one channel was distorted even though the level meter didn’t show any overload.
The answer to the riddle:
It was a Midas XL3 console whose level meter showed the signal strength at the “PreFade” position. The compressor in the insert was very strongly adjusted by predecessors, so that the…[Read more]

Normally I get along well with the 6 characters. But sometimes it would be great to have 8 or even 10 characters.

And it would be even nicer if the character size would be adjusted by itself 😉
And an italic font, e.g. to be able to mark paired channels or something like that, would be a significant increase again 😉

That’s one reason why I’ve been thinking about an external solution for the effects for quite some time.
But then it’s an impractical solution and costs a lot of money again, then it’s added that this investment is not paid for by the customers. That’s why I haven’t implemented it yet.
So we still have no choice but to check the recall filters…[Read more]

Hello David, this is great news!

the worst thing that could happen on a digital console would be a digital overdrive of the preamps due to too high amplification of the input signal. with the dLive this is not possible, you can bring the analog preamp stage into distortion, but no digital clipping can be achieved. that’s a good message.

but i personally want to see how i have…[Read more]

For vocals I also tried the new OptTonic, but meanwhile I went back to the Opto. With it I have even better possibilities to intervene in the different voices. I still like the Opto a lot!
In rare cases I still use the OptTronic in the vocal bus. Apart from that I like the way it works on acoustic guitars and keyboards. A really good tool,…[Read more]

many thanks to you for this solution!

I immediately built myself a small page that allows me to control the levels of the background feeds without having to go to the mixer or use an iPad. Just on the phone, just like the small iPhone app of the iLive… great!

Which I didn’t quite understand:
I prepared a few pages offline and then transferred…[Read more]

Unfortunately, I have already had these experiences.
only that not the faderstrips disappeared, but other preamp settings were recalled!
that happened to me three times at different concerts, i don’t need that again.
since then i check the recall filters of my effect scenes almost before every gig!

i have reported this for a long time and hope…[Read more]