This may not be a solution for everyone on the mono matrix but I’m doing LCR systems by using a dbx Venue 360. It has 3 inputs and 6 outputs. Each of the outputs has a 3 in mixer so any or all of the ins can go to any or all outs. So for an LCR I’m doing an LR in the left and right to get L&R. The C gets a mono mix of L&R. Crossover on the LR…[Read more]

This may not be a solution for everyone on the mono matrix but I’m doing LCR systems by using a dbx Venue 360. It has 3 inputs and 6 outputs. Each of the outputs has a 3 in mixer so any or all of the ins can go to any or all outs. So for an LCR I’m doing an LR in the left and right to get L&R. The C gets a mono mix of L&R. Crossover on the LR…[Read more]

This may not be a solution for everyone on the mono matrix but I’m doing LCR systems by using a dbx Venue 360. It has 3 inputs and 6 outputs. Each of the outputs has a a 3 in mixer so any or all of the ins can go to any or all outs. So for an LCR I’m doing an LR in the left and right get L&R. The C gets a mono mix of L&R. Crossover on the LR…[Read more]

Still amazed to see so many requested features ignored. The brand is beginning to suffer rather than advance. I have concerns for the future of the brand with so much dissent.

Pro Tools 12.??

There isn’t. Also GLD is EOL. Probably can still find one somewhere. Most folks with Aviom are just ditching them since they aren’t practical with digital consoles. Sorry.

All you need to do is change the recording mix to post. That will follow the LR. Adjust the recording mix faders a little different to compensate for needed things that need to be less or more. But then the mixes will follow the main mix.

Getting too complicated.
It’s simple. Just set the recording six mix to all POST fader. Set the master fader on that aux to 0 or some comfortable level. Now when you adjust individual channels on the main LR mix they will also adjust up or down on that aux mix. Only one fader move to adjust both.

Select the channel you want to copy. Hold down copy and hit the select button. Select channel you want to paste to. Hold down paste and hit the select button.

Select the channel you want to copy. Hold down copy and hit the select buttons. Select channel you want to paste to. Hold down paste and hit the select button.

If you’re familiar with Wavelab stick with it.

That should have been TOP end. Couldn’t edit.

It all depends on the person wearing it. Everyone’s speech is different. Might require a little too end to get more clarity. Some low end roll off, HPF. Maybe a little low mid ducking. Hard to say. I have cases with same mic on several ppl and the EQ and compressors settings are all different.

I did a test with it about year ago and it worked as I remember. I only tested it.

The GLD design which was prior to the QU and SQ series does not have dedicated mix buttons on the right side. The buttons are within the layers you create or be default in the generic scenes. Therefore navigation is a little more difficult. I work on all 3 so I have to rethink when I go back to GLD. It’s a little harder but not bad once you…[Read more]

Glad to help. Anytime. Just ask. I have a demo GLD 80. I have worked with others before on getting them setup and use.

There is a button called ALT VIEW in the middle of the console. Try pushing that to show you which socket is on which strip you have on any layer.

You just need to get mics plugged into the correct input sockets. Then look at you U/O screen and see that they are correct. Then build your layers based on dragging and dropping you needed channels into their correct slots. This can be 1:1 or mix and match however you want. That is to say mic 1 can be on layer 1 position 10 if you want. Once you…[Read more]

That’s just not how it works. Use a group.

That’s just now how it works. Use a group.