Yes. Hook it up to the dSnake port like any other stage box. I have one church install that’s Qu32 with mostly local old copper snake then added mics on a AR84

As others have said. Sometimes it comes down to some folks just aren’t cut out for this. You wouldn’t want someone who could barely play a guitar or drums in a vital role on stage. Or someone who can’t sing leading worship. Running sound requires just as much skill. If they can’t do it let them serve some other way.

They obviously aren’t interested. Keep doing other things less important.

We’ve been begging for both for years.

How’s about putting a dbx PA2 or Venue 360 between your mixer and power amps? That’s what I install on all my jobs. I don’t use the feedback eliminator as I rarely need it. I have but rarely. I use the other features for processing. It’s eliminator works well though.

Mic choice, speaker placement and good tuning and there’s no need for a FB eliminator. I’ve taken them out of many systems. Cause more problems than they’re worth.

If you plan on doing overdub punchins to existing tracks then you pretty much have to look through the DAW just like we’ve been doing for decades with conventional recording. DAW recording has complicated this. I’ve built several rooms. We’ve made it work with higher end recorders like Pro Tools and RADAR. I haven’t worked with other DAWs. Native…[Read more]

I wasn’t asking for snark.

My biggest beef is just them not being forthcoming. Nothing. No statements. Nothing. I think if they were more upfront about it then everyone would understand. I’ve never seen this out of most any other company I sell products for. Quite frustrating.

I’m beginning to worry we might be seeing an EOL for it already and a new product announcement. That’s the way things seem to progress around here. I hope not but that carrot has been dangling too long. I fear it’s getting a bit rotted.

Mine has always booted slow even set to DHCP. Didn’t do that when I first got it in 2012 but after a few updates it started. Now I just turn it on and go do something else while it boots up.

I worked on a convention last week in MD. Venue had a CL3. I found that feature to be a lot more useful than I had expected. So count me in also.

Thanks Keith. That’s encouraging

I happen to know some good brick layers who could do that. In fact I’ve seen bricks replaced in a wall. One at a time.

2 observations. One. It was around from long ago on GLD. Not sure about iLive. Assuming it was so it’s not something new.

Two. I’m simple minded about things and try to think as logically as I can. For me st least it just does not seem logical that the same PEQ with HPF on the input channel could not used on the output in place of what’s there.…[Read more]

Try formatting the drive on the GLD.

I don’t have a unit here to test but I’m assuming it’s that way since the logic is you’d be using line level signals on ST 1-3. When using a stage box you can use inputs for mics. So I’m guessing in dSnake mode you get 60db and local you get 24. I’ll have to verify that later.

Set the iPad to not go to sleep.

This was a feature on Digidesign Pro Control going back to the late 90’s. It was a grouping method but you could move any fader in the group and all that groups faders would move respectively. Of course the highest fader would take everything down. The lowest wouldn’t. I was very surprised when I started working with DCAs on digital consoles and…[Read more]

Barryjam: I really think these guys have never ran a sound system before.