It’s not possible to automate the GEQs, but there is a dynamic EQ available in the FX rack, also multiband compressors. You can insert these on any channel or mix.

Chris

The reason you can’t do any processing on a DCA is that it isn’t an audio bus, it is only a remote control for the faders and mutes of the channels assigned to it.

You want a group, the channels are still assigned to the LR because you haven’t unassigned them. You’ll also need to make sure the group is assigned to the LR mix.

Chris

The Tab key will scroll through channels.

Chris

Dante will receive whatever you patch to it in the I/O Port tab. If you patch input sockets (as I think is default) then it will receive the signal immediately after that sockets A-D converter, regardless of any routing or patching you have going on later in the console.

If you want it to receive the signal from a particular channel regardless…[Read more]

Sure, just pointing out that the aux won’t track changes that are being made at subgroups. eg muting a vocal group but leaving the channels faders up and unmuted. In that case the LR mix will lose the vocal signal but it will still be there in the aux mix. Using a DCA fixes that for level and mute purposes, but if there’s any important EQ or…[Read more]

It’s worth remembering that if you’re using any subgroup processing between the channels and the LR, or any LR bus processing, you won’t have the effect of this in your aux mix. This isn’t normally much of an issue, just something to keep in mind.

Chris

The issue is that you’re only selecting one side at a time, and you’re trying to assign it to one side of a stereo channel. This is how you’d normally patch inputs, but with the stereo channels it wants you to do both sides at once.

If you select port 47, select “input” and scroll to “start” 47L you’ll have the error, now go to the “end” box and…[Read more]

This is fine, just pad it. Low gain / padding is a good thing, because whatever noise is already present in the output of the drums will be turned down / padded by this same amount, using any gain would just increase that noise along with the signal.

Here’s an example, works just the same with any two gains…[Read more]

I’d like this. It’s useful when setting up post-fade sends to exactly 0dB for example, and it doesn’t have to take up any space if it only shows the fader level as it’s being moved, as on GLD.

Chris

Ah, no, that won’t work will it…

I think at this point it’s a decision between having the same (or no, depends on pick off point) processing with fader following, with a post fade send, or having any processing you want but without linked fader levels. This is assuming you need channel-level control.

If you just want more compression for…[Read more]

I don’t know how the dLive handles latency compensation, but if you have two signals with different EQ there will be phase differences just from that.

I’ve just realised I’ve missed the idea of using a post-fade send and setting the pick off point to be post preamp rather than post-everything. I was still in the analog mindset of “post fader is…[Read more]

EDIT, (actually I can’t edit because that’s still broken, new post): I’ve re-read your post and now realise that won’t work because you’d only have one set of channel processing. Another way to get control of two faders from one point would be to assign both to the same DCA, but you’ll run out of those too.

Another idea if you have enough…[Read more]

If you’re not doing any subgroup processing for the broadcast you could just use a post-fade aux send, that would also let you offset the levels in the broadcast mix while still having them follow FOH moves.

Chris

Ignore previous, Steffen is correct, I missed that it worked when you brought up the channel in the LR mix.

https://www.allen-heath.com/media/GLD+Quick+Start+Mixing+Guide.pdf

Chris

AUX11 (I mistakenly thought I programmed AUX8) displays no meter deflection nor sound with headphones AFL nor sound at A320.
a. Inputs 10 to 13 are in AUX11 mix with faders pushed up to 0dB.

It sounds like you haven’t got those channels assigned to that mix. If you have a look in one of the mixes that is working, including the LR, you’ll notice…[Read more]

It seems to mean that those mix buses don’t exist. You can still choose the mix bus number whether you have it in your configuration or not, it’ll just show up like this. If you want St Grp 2 to exist you’ll need to add it in setup > config > mixer config.

Chris

Can you hear the audio as expected when you AFL Aux 8 in headphones?

Chris

I’m currently running a system that goes gld > wall jack > wall jack > jumper cable > wall jack > wall jack > AR2412 because we don’t yet have a direct cable run. It works perfectly, though with more potential points of failure than I’d like.

Chris

Without the GEQ in the drum you will never be able to reinforce the 60 Hz frequency that the bass drum needs.

You can’t do this with the channel parametric?

Chris

If you’re changing your preamp levels on purpose and want to keep doing this, you could instead make these changes at the trim, as this won’t affect the socket signal, but will affect the signal flow through the channel.

Chris