Forums › Forums › SQ Forums › SQ feature suggestions › Feedback assistant
- This topic has 14 replies, 6 voices, and was last updated 1 week, 1 day ago by Nemydom.
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2023/09/01 at 12:26 pm #114484tomosParticipant
It would be great if you could do feedback assistant like in CQ for SQ, it could be used instead of GEQ.
+12023/09/02 at 2:03 pm #114497MaParticipantWould love to see the SQ finished and get a major update. +1 on this and getting a major update soon.
2023/09/07 at 6:42 am #114617Paul TParticipantYes, Feedback assistant would be the great option to get add it in the SQ Series consoles.
2024/03/28 at 4:34 pm #120871kubParticipantwhy?
2024/03/29 at 10:49 pm #120921DamonParticipantThis would be fantastic.
Especially if it were possible to use it as an insert on each input.
The GEQs have fixed frequency sliders so if there’s feedback between 2 sliders you have to cut a lot more good sound out than with adjustable frequency. It also gets cut out of all the other inputs to that geq
The adjustable frequencies on the PEQs are great but there’s only 4 and for feedback they could be narrower. Ok you can Send to a mix and get another 4 but then it’s either not on the input or you run out of auxes pretty quick.
Even without the automatic function If you could have an 8 band peq with ultra narrow cuts as an insert on the inputs capable of operating at the same time as the standard 4 band peq that would be excellent.
You could call it the surgical input feedback eq
2024/04/02 at 12:57 pm #121006MaxdrumsParticipant+1
2024/04/08 at 1:49 am #121146SnrubelParticipant+1. Implement like in CQ.
2024/04/08 at 12:36 pm #121172HughParticipantThe feedback system discussion has been an ongoing debate for more than 20 years and as a long term practitioner of various devices to quell destructive looping (Feedback), I have experienced mixed success. Without question the best was the “SMAART JR.” that was available with my QU16: unfortunately the license expense was not acceptable for A&H to continue deploying this very simple, effective protocol. This is what I know;
1) Filtering out obtrusive portions of the sonic field is in of itself a destructive process. Any way you cut it there is a direct relationship between the number of filters set and the amount of sonic field that is erased!
2) The SMAART protocol is based on establishing a max of 4 customized PEQ filters. Beyond this application, external re-arrangements of stage monitoring and speaker stacks will need to be made.
3) One of the prime culprits is un-attended (open) mics and to that end various automated features to kill open mics are available with an SQ5.There is a pragmatical reality of dealing with the ultra important initial placement of wedges, speaker stacks and mics. An in depth investment of time studying the various elements involved in room acoustical awareness and related sonic source placement factors is the best answer, not massive filtering!
Hugh2024/04/08 at 1:42 pm #121178TobiParticipantThats Not Always possible.
2024/09/16 at 12:12 pm #125689SnrubelParticipant+1. I’d pay extra for any feedback suppression filtering that was available. It is not always possible to ring out a system in advance when playing live venues.
2024/09/16 at 12:22 pm #125691SonoveroParticipant+1
Yes, that would be very helpful. If that is not possible, it would also be very helpful to add an expander function to the gate. This is also a good way to counteract the feedback.2024/09/19 at 11:11 am #125758nikolasgregorParticipant+1
2024/10/24 at 10:16 am #126771HlinikParticipant+1
2024/11/01 at 7:08 am #126985AhrenParticipantuse mix station it has an assistant mode that works pretty well for certain situations.
I used it on a vocal group on tour at various large venues in time pinches and it worked out great for me otherwise I recommend putting dynamic eq on the group for vocals if that’s what you need it for.
2024/11/26 at 2:18 pm #127567NemydomParticipant+1
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