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Did you check if the mic produces a usable signal at all (record kick and listen)? I often struggled to get a nice and precise kick from a single mic at that location (too much oomph and drone) and prefer to use a mic on the back pointing to the center of the bass batter. Of course the signal is totally different, you’ll get much more “kick” and less “oomph”, but in a reverbant room, where you already have the oompf directly, this may help.
But I know there are better qualified people around here to give advice… 😉