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2019/10/07 at 6:36 am #86842
Thanks, I’ll test some more and open a ticket.
About the disks; indeed interesting, I didn’t read that before. The usb connection is not very handily placed for such disks..
Cheers & thanks,
Wouter2019/09/18 at 6:23 am #86527Hi guys, thanks for answering, I now understand the purpose of the Tube Stage a bit better. Looking at the dlive version it is apparently based on the dual valve stage preamp, which has more controls, including a “hf-lift”. The latter is exactly what I’m talking about, and it is there but I guess the design choice for the tube stage was to have a bit more “lo-fi” sound in quick presets, and without hf-lift. Searching on the net I found that tubes indeed have a tendency to loose high frequencies, depending on the impedance of what they are connected to (interestingly when used for amplification they actually interact with the loudspeaker, exaggerating its resonant frequency). In any case, I guess I will just have to wait until A&H ported the dual valve stage to SQ ;-). Other than that, the tune stage does sound very nice and is useful for many applications.
Cheers,
Wouter2019/08/15 at 2:23 pm #85878Perhaps for inputs, provided that you use a gang for each stereo pair, but also for stereo effect returns? I know it may be a rare use case, but I already stumbled upon it twice in the short time that I own this thing..
Btw; one thing I found out about ganging, is that a channel can only be in one gang at a time, even if different gangs use different features (let’s say one gang for eq’s and one gang for levels). So if I have to create gangs for stereo inputs, they can’t be ganged with other channels anymore.
2019/08/07 at 2:45 pm #85728Hi Keith,
good to know, thanks for the info. Btw: is there some place where I can see the feature request list, or should I just search the forum? (to prevent future double posting)
cheers,
Wouter2019/08/07 at 2:01 pm #85726Hi Keith,
what I would expect to show is the same meters that happen when I hit PAFL on the DCA channel. Just to get an impression of what is going on (or not going on) on those channels. This makes DCA’s useful as a kind of limited-feature group, that can go across outputs and other group structures. In larger mixes I tend to group things in DCA’s (for those things that don’t require group processing) to keep it manageable with limited physical faders. Also I usually use a DCA on certain outputs as ‘master’ fader, as I work a lot with multichannel setups. There again some form of global metering is handy, although in practice I usually use the LR main for that (and the aux/group/matrices for actual outputs), creating a stereo mix for recording on the fly. Mixing inputs and outputs in a single DCA I rarely do (wouldn’t know any reason for that..), although for metering I suppose then those could just be summed. Peak warnings/lights could perhaps be disabled in such cases, as it could happen that nothing is actually peaking..
2019/08/01 at 10:53 am #85620+1
2019/08/01 at 10:48 am #85619+1 more color options
2019/08/01 at 10:45 am #85618+1 yes please! (and maybe some other fx from the dlive series, I’d even pay for it as an add on)
2019/08/01 at 10:41 am #85617+1
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