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2015/12/03 at 8:54 pm #52479
oh oh, sorry – my mistake!
I can fix this problem: the MADI In- and Output cables was interchanged!ergo: this was not a problem of the system, the user was the loser 😉
2015/06/14 at 8:46 pm #48684hello Nicola,
is it now possible the dynamics-sidechains in the inputs come from all inputs & busses?
and dLive has dynamics-sidechains also in the subgroups?and: can we route now the main-bus into an aux? (for example for InEar-send)
2015/05/27 at 12:55 pm #48319+1
2015/05/27 at 12:41 pm #48318+1
for the RTA in the background of the GEQ and PEQ windows. this suggestion I wrote six years ago.this idea primary comes from the UMX96 digital desk, this was a EAW prototype in 2006
2014/05/19 at 9:32 am #39824+1
the “pop groups-idea” comes not from MIDAS, this idea comes IMO originally from Innovason (“universal bus” in SY80)
2014/01/15 at 5:10 pm #37253what I need on the MixPad:
copy and paste !2014/01/15 at 5:09 pm #37252[quote]…For example, having Processing, Routing, and Setup buttons on top…[/quote]
no, please.
this make the faderstrips shorter! i need longer faders 😉2013/03/17 at 1:58 pm #33480some ideas:
– sidechain for dynamics in inputs AND busses, with flexible routing from all inputs and all busses
– a ducking-function in busses, with sidechain and with adjustable max. depression.
– possibility to insert channels, when a new channel must inserted in an existing channel-list (inclusive preamp-gain!).
not long ago, I must insert an additional tom-channel – and move all 30 channels behind them, per copy and paste preamp, channel processing and mixes = 90 actions = what a stupid job, and not one mistake is allowed!
ok, in livesituations I can simply insert a channel from anywhere to the new position on the surface. that´s easy. but for coming events, I need a correct channel-list, I´m a german– possibility for quick safe channel-functions in more of one scenes (for example when another bassplayer will be integrated in a musical-band)
– a parametric-EQ section with 6 bands.
the lowest an the highest band can used as locut/highcut/bell/shelving-filter. this EQ is for outputs – and for inputs(!) and give us a maximum of flexibility.
why? all desks in this world have a 4-band input-EQ, whitch is in 99% functionally adequate. but, is this really necessary forever? sometimes, I need an additional filter for example for feedack-reducing in critical live-situations, or a locut, 4 band-EQ and a highcut in a channel.
maybe, the hardware-EQ buttons can have the normally 4-band EQ for better overview, and the additional filters can be used per touchscreen.
I think this can be an innovation in mixerdesign – and an unique selling point!– automatic-mixer function to integrate the iLive in fixed installations, or for better handle double microfone-installations at lectern-situations (witch is mostly uneffective, but sometimes the customer needs it for different reasons)
– two screens for jobs with two technicans in the same time or for better overview.
– screen with overview of all dynamic-LEVELS (gates, compressor, limiter/deesser)
– don´t forget: the screen must have a good visibility also in open-air requirements.
– like “vilddyr”: a better control for the limiter and deesser.
– like “vilddyr”: a better quality for the surface, please!– dynamic-EQ as alternative compressor-function in input-channels.
– Dante network inclusive gaincontrol. i think this is really the future.
– gaincompensation for FOH + MON systems.
– a much faster boot-time
– much faster scene-safe and -recall (for complete scenes)
– more FX-blocks, and with a distortion-FX! – sometimes the iLive sounds too clean
– samplerate:
48kHz is IMHO good enough for live-situations. I have no problems with it. the latency-time in the existing iLive is very good!
but: why not, with 96kHz we get a latencytime like analogue desks?
maybe you can make a switch between 48k and 96k?oh, this is a long list… sorry.
and now: I hope you can understand my english2012/11/17 at 11:42 pm #32121I have no problems with my iDR48 and T112.
2012/09/13 at 12:37 am #31363wow, proportional-Q filters!!
great idea!but – this was not on my wish-list!?
[]2012/03/18 at 10:54 pm #30075quote:
Originally posted by levi.parker21Ran a show just this last weekend using 5.1 and didn’t have any issues…
me too. no problems with 5.1
2012/03/14 at 11:18 pm #30062quote:
Originally posted by papromike…
Honesly the current iLive-T is the M7CL killer, GLD is the LS9 Killer
…the iLive was the PM5D Killer
2012/03/14 at 11:02 pm #30061-> give us the sidechain-function also in the subgroup-compressor, please!
in the moment i must use some routing-tricks with patch-cables(!) to become this fuction… uuhh.-> a new function for the softkeys: “last scene plus 1”
this will help to reduce the programmingtime for recall different effect-scenes, maybe like this:
softkey-1 recalls a small room (the next scene is a midsize-room, the next scene is a big room and so on…)the softkey “last scene plus 1” take a step forward in my last selectet fx.
the second softkey loads a small plate for the drum, the “last scene plus 1” bring me to the mid-plate or a big roooom… and so on.
at the end we can have 6 softkeys for 6 effekt-engines with fixed start-scenes, one for “last scene plus 1” and the last button maybe for the delay-tap. this would be great for my work.-> in the EQ: a reset-solution only for the EQ-gains, not for the complete EQ-settings!
-> multiband compressor
-> distortion-fx
-> long-fader- and copy+paste-function for the Mixpad-appWolfgang
T112
iDR48
M-MADI
RME HDSP MADI2011/09/21 at 2:10 pm #29446I missing “copy&paste” for EQ settings and I need access to the iLive tone-generator.
2011/09/21 at 1:49 pm #29445no no, he means “bye bye Dante”
…seriously,
MADI with RME-cards is easy to use, need not less processor-power and works reliable.
I don´t need a change… -
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