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Viewing 15 posts - 16 through 30 (of 560 total)
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  • #107537
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    Wolfgang
    Participant

    how about scene switching via MIDI?

    #107534
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    Wolfgang
    Participant

    The aux sends can only be set globally, unfortunately not per input channel.
    So you have to decide whether you want to set the aux send PostEQ or PostDelay. And this then applies to all signals in the aux path.
    I usually use PostEQ for monitor paths so that the musicians can control their dynamics better.

    A solution for you would be:
    Create two aux paths. You make one aux postEQ and send the singer’s signal into it.
    The second aux channel is postDelay, where you send the signals that should be in the monitor with their compression.
    And finally you sum up these two aux paths in a matrix.

    I know: that’s a bit complex again, but your task is a bit special. Of course, it would be nicer if you could set the tap points per channel. But then we can also make mistakes much faster 😉

    #107491
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    Wolfgang
    Participant

    I am still missing a possibility to save Dyn8 in channel templates.

    However, I do not want to have routing settings in channel templates.
    If something like this is planned, I would like to have a selection option when recalling.

    #106768
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    Wolfgang
    Participant

    I agree with that:
    It would be good if A&H could support the colleague. His software works really well.
    Of course, you can also work with the A&H apps, but David’s software simply offers other possibilities.
    Above all, it would be an enrichment for the users.

    #106734
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    Wolfgang
    Participant

    Hello David,
    that’s great news!

    Would you have the possibility to program it for the dLive as well?
    I really like your app for the SQ!

    #106382
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    Wolfgang
    Participant

    It’s not so difficult after all.

    AUX Pan in the director:

    – Place the AUX path on a fader, e.g. in the right-hand fader bank A.
    – Show fader bank A in the director
    – Point to the rotary level with the mouse and click the right mouse button.
    – Select “Pan”
    – Turn the panpot in the AUX path to the desired position.
    – ready

    So there is no reason to go mad 😉

    #106130
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    Wolfgang
    Participant

    Oh yes, storing Dyn8 compressors in a channel template would be very welcome as well

    #105554
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    Wolfgang
    Participant

    That is a very, very good suggestion!

    I do exactly the same thing. I create a separate showfile per day. If the result was good, it becomes the new reference for the respective band, otherwise it is deleted after some time.

    I try to keep the number of showfiles on my Surface as low as possible. Because I don’t do this every time I switch off, I have to remove several shows again and again.
    On the computer it’s easy, you just open the folder and delete what you don’t need anymore. But on the Surface, you can only delete one show at a time, which can be a bit annoying depending on the number of shows.
    The possibility of marking several shows for deletion would be very helpful here.

    #105533
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    Wolfgang
    Participant

    Question for Dave:
    You wrote that all inputs are occupied.
    Do you mean the 128 processing channels – or only the physical inputs?
    If you really use all 128 channels, my simple tip cannot be realised.

    #105434
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    Wolfgang
    Participant

    Then you may have to use other switches.

    #105429
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    Wolfgang
    Participant

    The width of a stereo aux cannot be adjusted the way you want it.
    This function is only available for inputs.

    However, you can send an aux path on the digital level to a stereo channel.
    You can then send this stereo channel directly to outputs, to the IEM.
    This way, you do not lose an analogue output, an analogue input or another bus. The only additional thing you need is a stereo channel. And you can then adjust the width of this.

    Unusual wishes need unusual methods 😉

    #105389
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    Wolfgang
    Participant

    Thanks for the tip about Lectrosonics. I’m not that familiar with their products, but if a manufacturer had this function, it would probably be them. 😉

    #105387
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    Wolfgang
    Participant

    Of course – it would be a useful function.

    But as RS already wrote: the receiver would then have to transmit its status back to the transmitter.
    So there would have to be a transmitter in the receiver.
    Otherwise, the transmitter can’t know the battery status of the receiver.

    I don’t know, maybe Lectrosonics has something like that, but I don’t know of any IEM receiver from Sennheiser or Shure that can send its values back to the transmitter.
    Maybe there will be something like that someday.

    So for the moment we have no choice but to put in new charged batteries before the show and trust that they will survive the show. And that’s where we have a lot of experience.

    What is in any case a fact:
    the console can’t display data that it doesn’t receive.

    #105378
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    Wolfgang
    Participant

    I agree:
    First, Sennheiser and Shure must also offer this data before it can be displayed by the console.

    #105377
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    Wolfgang
    Participant

    If you need to do it quickly, you can also switch the preamps to Recall Safe.
    Then the preamps are not recalled by scenes.

Viewing 15 posts - 16 through 30 (of 560 total)