[ScottParticipant]

Select your stereo FX send, then press the “routing” key, and enable the “follow main pan” option in the top right corner. Without this engaged, the stereo FX has it’s own pan.

[ScottParticipant]

For fun, setup a 80Hz sine wave on the signal generator, route it to an input, then put a hard gate on it, and trigger it from the kick drum.

[ScottParticipant]

Direct outs are per-channel. You would want a separate mix out, like a matrix that is a copy of the main LR mix.

[ScottParticipant]

If you are seeing signal on the aux master, then check your output patches to make sure that it’s patched to where you want it. The GX will be on sLink.

If you are not seeing signal on the aux master, then check the ON/OFF for the channel being sent, check the mute, and check the PRE/POST setting. If post, turn up the main fader to the main mix in order to get signal to the aux.

[ScottParticipant]

Using S-Class is the only way for true end-to-end redundancy, but if you still may be able to get some redundancy using another method.

If you can run GigaACE through managed ethernet switches (ask A&H support about this), then you could create a LAGG between two managed switches and then connect the mixrack to switch 1, and the surface to switch 2. This would give you redundancy between the two switches, but that’s all. This could help if something were to happen to 1 of the multiple runs between the 2 switches. Again, you would need to find out if running GigaACE this way can be done safely.

[ScottParticipant]

+1 could be useful. Wouldn’t mind seeing this on Avantis and dLive as well.

[ScottParticipant]

Set all inputs to PRE and the mix will be completely independent of the main mix.

Set all inputs to POST and the mix will “track” the main mix, but can still be different. Doing it this way will still allow you to turn down the singers in the livestream, while still tracking changes made by FOH in the stream. This is the more desirable method in my opinion, and requires less jumping back and forth by the operator.

[ScottParticipant]

Go into Setump –> Config and change the main from a single fader to individual L/R faders, and you will get separate delays.

[ScottParticipant]

The gain is associated with the actual preamp port, not the channel, so assigning a different port to a channel will cause you to see that particular port’s current gain setting.

[ScottParticipant]

The Dante cards can be set to sync to host (SQ) or from any other source using Dante controller. Once set in controller, the change will remain. So YES it can be synced to the SQ.

[ScottParticipant]

As Giga said, it sounds like you’re double-patched. You can visit the meters page to find out exactly where else the mic is going to.

[ScottParticipant]

If you put an allow-all rule for the IP of the mixrack into your corporate VLAN’s firewall rules, it should be able to work. You could further limit this to only the protocols/ports needed by onemix, but you would need to find out what those are.

[ScottParticipant]

+1
Would be helpful across the entire range.

[ScottParticipant]

That is correct. You can only chain a single device (AB168 or AR84) to the AR2412’s expansion port. If you want additional expansion, you will need to expand on the Dante side of things in your case.

[ScottParticipant]

Yes of course. Assign Main LR mix to a pair of local outputs on the I/O page, and you’re good to go. Make sure that the phantom power is OFF on the SC48. You can also use transformer ISO’s inline for added protection.

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