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Viewing 15 posts - 16 through 30 (of 58 total)
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  • #116332
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    RuneS
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    This is a really good suggestion. One that is simple to implement and doesn’t break or change anyone elses workflows. Do I need it personally? Absolutely not…I would forget it was there real quick. Should it be implemented? Absolutely.

    #116331
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    RuneS
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    I know it has been brought up to AH before, but I really think that a feature like this that is available even on an X32 should be of the highest priority. I’m assuming that there is a reason for it not being there other than the fact than they locked in by the surface design. Hopefully they can implement tap points for auxes and direct outs without having to break other stuff to get there.

    #113664
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    RuneS
    Participant

    You shouldn’t expect to see any changes in Dante Controller when patching on the dLive. You need to patch things in Dante controller as well.

    If I am not understanding you correctly and you are already doing that, then make sure the dLive firmware is up to date in case this is one of the newer Dante cards that require v1.97.

    #113501
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    RuneS
    Participant

    Mixing Station is better in pretty much every way. (except maybe for RTA) Just use that instead.

    #113211
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    RuneS
    Participant

    I think they will have a hard time wrestling KLANG integration out of the hands of their brothers and sisters at DiGiCo…but as long as we are asking, we might as well ask for a dLive-KLANG card just like the DMI-KLANG.

    Klang integration would also be a good incentive to improve the surround panner in dLive.

    #112639
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    RuneS
    Participant

    You just connect to one console. Save what you want to save. Connect to another console and load what you need to load. Its that simple.

    #112412
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    RuneS
    Participant

    Mixing Station lets you save and paste from one console to the other. Even between consoles of different brands.

    #111946
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    RuneS
    Participant

    I think you are making some assumptions about what a preamp is and what it does. You can absolutely connect a line level source to the XLR inputs of both the surface and mixrack without having to worry about the ‘quality’ of the incoming signal. They are considered mic/line inputs. A line level input would also have components in the signal path.

    In short: Don’t worry about it.

    #111922
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    RuneS
    Participant

    @brian Mixing Station for dLive is no longer in beta. It is fully supported now.

    #111381
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    RuneS
    Participant

    Just select your StMain (or matrix if you are sending busses directly to a matrix) and hit the ‘Routing’ button. You can pan your busses there.

    #110894
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    RuneS
    Participant

    Chris, I do still think you are misunderstanding the topic at hand to some extend and are now misrepresenting what you wrote in your initial reply. You didn’t answer the question, you just muddied the waters. You are welcome to do that, but I don’t have to entertain it with a detailed reply. Thanks for playing.

    #110860
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    RuneS
    Participant

    RS: Regarding the FX engine being a leftover from iLive, you are correct. And yes, it still has that DSP. It would however not have required much development to have used normal auxes for fx. It would basically just have been a default show file and removing any mention of fx auxes. But yeah, they probably had a reason or at least a specific philosophy that they wanted to stick to.

    dcongdon: You can still use the FX returns when using normal auxes, meaning you will have the exact same channel and bus count regardless of whether you use ‘fx auxes’ or just ‘auxes’. The only difference is that you get less processing options with the ‘fx auxes’. They don’t really serve any purpose other than limiting you ability to process effects.
    However, as Wolfgang said, using stereo channels and source switching is really clever for Waves/Live Professor redundancy on shows where you have additional unused channels. I have a few colleagues that will definately like that idea.

    Wolfgang: Yeah, thats one of the two issues I have with it. That, and the fact that reconfiguring the bus structure seems more intuitive when you seperate the two bus types. Thats however just a question of how the bus is ‘tagged’ and not a function of the bus itself. As long as I have my fx starting from stereo aux 1 I can work around it though.

    #110847
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    RuneS
    Participant

    Chris, I don’t mean to be rude but I think you are confused about some basic concepts. (the whole send bus vs bus thing isn’t a thing) A bus, is a bus, is a bus.

    On dLive you have two types of auxes that can perform the ‘exact’ same task. If you use an ‘aux’ you have full processing on your fx bus. In this scenario you can eq what goes into your effects (like ducking frequencies to further de-ess what goes into a reverb etc.). If you use the ‘fx aux’ you have no processing.

    There is ‘no’ reason not to use ‘auxes’ for the FX, and there is ‘no’ reason why there shouldn’t be full processing on the ‘fx auxes’. So…why do ‘fx auxes’ exist since it is just a gimped aux?

    #110775
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    RuneS
    Participant

    If nothing else you can do it using Mixing Station instead of Director.

    #110741
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    RuneS
    Participant

    If you read my post again you will see that I’m talking about the fx busses, not the return channels. There is no such thing as a ‘fx return busses’ btw. Those are input channels.

Viewing 15 posts - 16 through 30 (of 58 total)