[RuneSParticipant]

Are you expecting a ‘true stereo’ reverb when selecting the EMT250 algorithm? The EMT250 only had ‘one’ input, and even the output wasn’t really stereo (or quad). The outputs where just ‘different’ from eachother.

Try the test with a standard hall algorithm instead. (I’m mixing a concert on dLive for Youtube tommorow. Perfect for doing some reverb testing again with the different algos. I’ll post if I find something interesting)

[RuneSParticipant]

Just to make this absolutely clear…upon power up the dLive mixracks return to the same state as when you powered it off. It does not matter if you power it off with the power button, or pull the power plug out of the wall.
If your system does not perform this way it is either caused by a startup scene in the mixrack or a hardware fault with your mixrack. Either way, contact support to have it resolved. It is really that simple.

[RuneSParticipant]

You might already know, but you can do this with the app ‘mixing station’. It can compensate send levels as well as compressor thresholds etc. when making changes to the input gain. It does a lot of other stuff too.

[RuneSParticipant]

2. Hold the assign button and press the mix button of an aux etc. Same thing goes for pre/post. Essentially, just do what you would do to a single channel, but to the bus instead. You might need to press the pre/assign button several times to make sure that all channels are on the same setting.

[RuneSParticipant]

Julian Tinao, I don’t need to test this. It has worked like that since launch 8 years ago. Check if you have a mixrack startup scene. If you do, you need to remove it.

[RuneSParticipant]

How much gain are we talking? I’ve inserted Dyn8 on tracks while audio is playing plenty of times and have not heard any ‘audible’ changes…at least I don’t recall that being the case.

If it just a very slight increase, then perhaps it could be explained by the cross-overs in the Dyn8. Try changing the filters from 24dB to 6dB in the multiband comp. to see if that changes the amount of gain.

[RuneSParticipant]

dLive will only load a scene on boot if you setup a ‘Mixrack startup scene’. Otherwise it boots to its last state.

[RuneSParticipant]

Both the Library and Show Manager could really use some work. Folder/tag structures, write protections…even something as trivial as additional characters would help in sorting shows and Library presets. Currently, everything is just thrown into one big unsearchable pile.

[RuneSParticipant]

Richard, you can set it to latch. Just hold down the setup key and touch the eq.

[RuneSParticipant]

Sounds like you just panned the main mix in the matrix.

[RuneSParticipant]

I do the same thing as Brian, with one little quirk.
Band inputs > Groups > Master > Matrix 1
Vocal inputs > Vocal Groups > Matrix 1

Then I use the external input on my Main/fill/sub/record matrices to route Matrix 1 to those outputs.

[RuneSParticipant]

I think he means for the 1176 model. And I agree. It needs the input and output to be linked. You see this in a lot of plugin versions of the 1176, and for live use it makes even more sense.

[RuneSParticipant]

Linking parameters is all well and good (better than nothing for sure), but gain reduction needs to be linked too. This is an issue with ganged dynamics in general.

[RuneSParticipant]

No such thing. Simply power it on/off as needed.

[RuneSParticipant]

You could make a ‘sleep’ scene with all dimmers at their lowest position then put it on a softkey and block everything except surface illumination. Then put a scene with regular lighting on another softkey.

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