[RunepuneParticipant]

Yes, it’s without any processing whatsoever. If you want to process it, you can rather patch direct outs to the Dante card. You can then choose where in the processing chain the signal is sent to Dante.

[RunepuneParticipant]

Do you need those upper frequencies on that effect? I rarely use it, but when I do, I lowpass way down to only let the bottom octaves through.

[RunepuneParticipant]

Though, most often the vocalist would like at least some compression on their voice. I’d give them that, and compress whatever more is needed on a subgroup.

[RunepuneParticipant]

Set Direct Out to Post Preamp (or whatever option you want). Or use tielines from your inputs.

[RunepuneParticipant]

Yes, terrible response in Director on my Macbook M1 (Ventura)

[RunepuneParticipant]

You can copy/paste between scenes, but you’ll have to go through each.
Or you can try the Update tab on the Scenes page. Select the scenes you want to update, select Manual scope, then what you want to update.

[RunepuneParticipant]

Can’t you just send from octaver return to gated rev? Either turn off octaver to L/R, or send pre fader.

[RunepuneParticipant]

Yes, you can chose whether a stereo aux’ pan follows main pan, flips it L/R, or is independent.

[RunepuneParticipant]

According to the AH Knowledgebase:

Inserting a Dyn8 adds 4 samples on input / bus processing (42us)
Inserting a De-esser, Transient Controller, DynEQ or Doubler from the FX Rack adds 27 samples on input / bus processing (281us)

[RunepuneParticipant]

3. Make a soft key to sends on faders WITH PAFL active. Can get either/or on a key, but not BOTH.

Use “Sel Mix PAFL Scene” as function for the button. In the “type” dropdown below, chose what to include.

[RunepuneParticipant]

Do you really have to adjust gain after soundcheck though? I’d just gain conservatively and use trim.

So direct out is pre digital trim? What if you set direct out to post HPF?

[RunepuneParticipant]

You could hear that parts of the song were missing again and again. As if they had been cut out in between.

Had the exact same thing happen the one time I tried USB-recording. Could very well be the stick was too slow, but I would’ve thought most any new ones were able to record a stereo track…No buffer on the dLive?

[RunepuneParticipant]

You can route one input to as many channels as you want. No need to change i/o. But I may misunderstand the problem…

[RunepuneParticipant]

Create a digital split and gang the channels? Except mute and sends, obviously 🙂

[RunepuneParticipant]

I set up my gains so that no input signal will ever reach 0dBFS. On an analog desk I’d shoot for faders at unity. Not so on a digital desk. If I want faders to sit in a particular spot, I’d use trim.

I wouldn’t use RMS metering on input channels myself, but if you really want that, try setting dLive’s metering ballistics to 300ms attack/release.

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