Forum Replies Created
-
AuthorPosts
-
2016/01/13 at 6:25 pm #53281
I have wanted something like this as well. However, one thing that i have done is duplicate my important scenes (ie room default, etc) and hide them. There are something like 500 scenes that you can save, so I put copies of the important scenes at 500 and counting down. So basically I have backups in scenes 494 – 500.
Nobody scrolls down that far to save something and effectively they are out of sight and out of mind. If someone squashes one of them at the top of the scene list, I just recall the ones at the bottom and over write the ones at the top restoring them 😉
2015/09/23 at 4:49 pm #50757How about a dedicated aux bus off the console and control it with an iPad running OneMix? We have done that for our production group and it seems to work well. It gives them EQ, compression on that bus.
John
2015/08/06 at 2:34 pm #49699This issue has been resolved. A&H has stepped up and taken care of our problem by outright replacing the console, and in a very fast manner I would add. I would be curious as to what the issue was, but with such a swift and decisive bit of support from A&H, I am not sure that I care.
Thanx A&H, I really appreciate the help.
John
2015/05/08 at 5:09 pm #47864Ive wanted this for a while, and for the very same reason. I want to protect the main reset scenes from being overwritten by less privileged users. Its already happened to us once.
2015/04/13 at 2:29 pm #46865Hmm, maybe the DSP layouts on the board wont allow for that. Assignable side chain could be something that needs to be built into the hw layout. Thoughts?
John
2014/12/02 at 9:59 pm #43543Perfect. Thanx for the idea! That will be sweet. That will make stereo recording and live streaming easier as well.
Awesome!!
John
2014/12/02 at 6:27 pm #43538Hmm id need to think about that a bit, or at least better understand.
The matrix idea seems to me to burn up a bus for no good reason and with some of the stuff we are up to I would rather avoid that.
However, your second idea might make some sense. What I dont know however is how the console behaves in that mode. If in LR+MSum configuration, what happens when you select the Mix key of the MSum strip? I would imagine that it is functionally the same as pressing the Mix key of the L/R bus? Also, does it light up (ie show as being selected) when the L/R bus Mix key does?
If so this could be a workable solution that I quite honestly didnt think about.
2014/11/06 at 7:46 pm #42804Thumbs up for #9!!
2014/10/24 at 10:55 pm #42474I just wrote a feature suggestion on this related to the confusion of stereo groups that we have had at our place. Check the assignment and listen to the signal not at the group, but at the bus that the group feeds. Stereo groups seem to be like an odd mix of stereo / mono groups. If you notice the routing for a stereo group, all of the inputs are binary in nature. You dont actually see the stereo pan unless you look at the buss that the group feeds.
Its quite confusing until you realize whats going on. And I am not positive I totally get it.
2014/10/23 at 2:10 pm #42442I wouldn’t consider the Dante card to be pricey at all. Pretty cheap actually when you consider the capability. I think I paid ~$1300 and it was worth every penny. That plus a cheap license to Reaper gets you 64 channels of multitrack for less than $1600 (if you have the computer). And on top of that you have a DAW that you can use to mix it down.
We use a 3TB USB LaCie drive and regularly track 41 channels 44.1/24 without issue.
John
2014/10/02 at 9:54 pm #41960This happened to us a year ago. We had some A-16’s and some A-16II’s. We did the install 2 weeks before Christmas. Ultimately we just pulled the trigger and went ME-1’s and were done with it. It hurt, but in the big scheme of things, the entire setup is still way cheaper than AVID, etc. And you can ebay the AVIOM gear or sell it to another church to offset the costs.
2014/10/01 at 6:23 pm #41942Hmmm, I never have that problem. Are you sure your gain structure is set right in the system?
2014/09/29 at 3:30 pm #41888While we are on the topic, I would love to see the ability for the tap delay to be automatically tapped based upon an input channel or gate. Our band uses click and its routed through the GLD as to feed click to the ME-1’s. I would love to be able to tell the fx units to look at the click input to auto tap (maybe use a gate on that channel to signal the tap?) Give me a division control so that I can then set divisions of the click for my different efx units.
That would be super slick and would also help set delay for songs that have a really open opening where nothing on stage is really setting the tempo (ie a worship opening with no drums, etc.) Its would also be super beneficial to have a tempo based delay set for the opening of a song where you want a delay on the first word sung but don’t have enough intro to tap it by listening.
2014/09/28 at 2:55 am #41859Sounds to me like your scene is reprogramming the soft keys when you recall it. You might need to filter soft keys out of the scene or set them to be scene safe.
John
2014/08/18 at 3:22 pm #41386I thought I would post an update. Our GLD is back from warranty service and was used again for the first time this week. It seems to be running great. It was really good to get it back. We ended up having to send it back to A&H a second time as a result of a small snafu during the console servicing. We found that immediately after re-installing from the original service. So far we are back to normal now though.
A&H looks to be stepping up and paying for all freight except for the initial freight to them so this service will end up having cost us a fair bit less than that $1k. In the end they made things right though the process was more painful than I think it needed to be.
Ultimately I think A&H needs to get some factory authorized field service reps that are available for use without having to ship your console across the country.
Either way its nice to have the board back.
John
-
AuthorPosts