[BruceMcParticipant]

Big +1 on this one.

[BruceMcParticipant]

Once you have created a song in Studio One, you can go into the Song|Song Setup|Audio IO Setup. There you can map the QU IO to Studio One. I usually have one mono input for every channel. You need to map both the inputs and the outputs. You can map the same channels as outputs on the output tab.

Like Ed says, pick one of the presonus templates to mess around with. It’s pretty easy once you get the hang of it. Then you can make your own template for the QU.

Also, make sure you set the QU input source to USB when you are trying to play back.

-BruceMc

[BruceMcParticipant]

I don’t have the board in front of me, but I believe all of the mix outputs are prefade by default, if not just select the mix and hit the prefade button for each channel.

In my setup, we use mix 1 as the monitor FX send. So anything we want reverb on we send a little to mix 1. Usually a little vocals, drums, or anything else that helps the band sound more natural in the IEMs.

Then I take one of the FX (FX4 in my case) and patch it for Mix/Return, selecting mix 1 as the input. Then just add the FX4 return to each of your IEM mixes to taste.

We use FX1 & FX2 for FOH effects, so the IEMs get their own thing without affecting FOH. Works great for us.

The downside is that it consumes one of your mixes. We are using just the stereo mixes (3) for IEMs, so the mono are unused anyway.

[BruceMcParticipant]

We use IEM’s and a little reverb helps liven things up. I have one FX channel setup as ambient reverb and I use one of the mono mixes as a prefader send to that reverb. That way it is totally independent of FOH and we can put a little verb on any of the channels.

We do not use room mics, this works just fine for us.

[BruceMcParticipant]

If you’re doing this for just one band and the mixes will stay the same over time, you could work Mixes 1/2 and 3/4 as stereo mixes and control them with DCA for a faux linkage.

It’ll take a bit longer to set up but should suffice.

Please explain this. 🙂

[BruceMcParticipant]

Add your voice to this request. I thought I was the only one. 🙂 https://community.allen-heath.com/forums/topic/link-mono-mixes

[BruceMcParticipant]

There is a little tick mark that is different from the others at about number position 7 or 2:00 o’clock. I had assumed that was unity.

[BruceMcParticipant]

Thanks Nicola.

[BruceMcParticipant]

Is it possible to copy the channel level mix from one mix to another?

[BruceMcParticipant]

Billy – I think if you are not using the “Alt Out” 1/4 connectors, you can mute the ST3 input and get rid of the buzz. I’m unable to get rid of it when I use the Alt Out connections even when all inputs are muted. I opened a ticket and A&H is working with me on it.

-Bruce

[BruceMcParticipant]

Yes. With all inputs disconnected and muted, all other outputs disconnected and muted (even LR mix muted), still buzzes on the Alt Out (see my edit above) when writing to USB.

I also tried routing every other mix to the Alt Out and they all buzz when writing to USB. Seems like it is an issue with the Alt Out connection.

[BruceMcParticipant]

Nope, that’s not it. All three stereo in are muted. Still buzzes when writing to USB.

Additional info…

I am using the Alt Out TRS jacks with the LR mix going to the Alt Out. The XLR do not make noise…just the TRS.

[BruceMcParticipant]

Excellent. Thank you both!

[BruceMcParticipant]

Thanks mamerica. I haven’t purchased it yet, I’m still debating this and the SL16.4.2 AI, so I can’t try it out. My local store does not have it in stock.

In your example of the snare drum, it sounds like this is a 1:1 without the send bus or consuming one of the other mix buses, correct?

Thanks.

-bruce

[BruceMcParticipant]

Thanks just couldn’t find it for some reason.

I’m upgrading from the Presonus, but will probably have to wait for multiple ipad access.

Thanks again!

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