[juniorParticipant]

@mike C you must be wrong, a question here is not to know how to work with the resources of the console, a question that she has 12 assistants and I in my system need 16. Are you doing? Take a rabbit out of a hat? Do you attend engineering classes and can you solve this with an SQ?

[juniorParticipant]

@mike C vc deve estar equivocado, uma questão aqui não é saber trabalhar com os recursos do console, uma questão que ela tem 12 auxiliares e eu no meu sistema preciso de 16. Você está fazendo? Tiro um coelho da cartola? Você freqüenta aulas de engenharia e consegue resolver isso com um SQ?

[juniorParticipant]

To be honest you have to have a very good ear to notice the difference in hearing from 96kz to 48kz

[juniorParticipant]

Anyway, Wing still has 16 aux versus only 12 aux from SQ. I think it’s too little for a console at that price. There would have to be at least 16 aux

[juniorParticipant]

Maybe that’s why Beringer’s Wing is gaining the whole market

[juniorParticipant]

Allen & Heath could find a way that when using groups it was not necessary to use the buttons next to 1 to 12. It could use layer faders to access them

[juniorParticipant]

@steffen R didn’t mean it! What I want is that I can have my 12 mono aux and have 12 groups at the same time, which today is impossible, because every time I set up a group I lose an aux

[juniorParticipant]

Taking advantage of this subject, I would now like to ask a question. Will it ever be possible to have the same number that has helpers to have groups without one influencing the other? For example: today we have a standard in SQ we have 12 helpers and if you want to have groups we have to eliminate each helper for each group. Could we have 12 helpers and 12 groups through a future update?

[juniorParticipant]

Good morning everyone! From what I’m seeing, update 1.5 will not come out anytime soon

[juniorParticipant]

My problem is not editing offline, the problem is that there is no console to return and I use my SQ for the stage and PA at the same time, hence the console stays on top of the stage and has to control the bass sound using the tablet . I find a lack of consideration with the client what Allen Heath does, it was for them to immediately correct something as important as this. I already lost a ipad 2 generation because it does not work with the mix pad, hence I bought a Samsung tablet because it is cheaper and just use it for this purpose and now it happens

[juniorParticipant]

Has anyone here contacted Allen & Heath support a respect for this problem? I until now but nothing convincing

[juniorParticipant]

Need help! I already lost the functionality of an Ipad when I bought my SQ 6 because the same was not compatible with the console so prestemente I bought a tablet samsung to control the SQ and worked perfect until this last update 1.4, thereafter it no longer worked. What’s going on? Will I have to buy a new tablet with every update? I find that a lack of respect with the client. Engineers should think of something that would make apps viable to all iPads and androids because we buy Allen Heath consoles at high prices and we can not take advantage of them. We see competing consoles like X32 and soundcraft that do not have this problem. Vcs say the reason are sophisticated features that make older iPads and tablets do not support, but what sophisticated features are these that I can not record using my notebook that has USB 3.0 ports does not work? High resources that with the Ipad 2 normally works with an M32 midas and my Allen heath that says superior does not work? Is it even worth an Allen Heath SQ console ???

[juniorParticipant]

The audio evolves the speed of light, nobody will always have the full reason because in the audio fits the saying that says “not always and never”

[juniorParticipant]

I think different of you, if the GEQ was not useful it would not be fabricated and there would not be several GEQ plugins for dawns. I would like to hear a battery in the SQ without going through any program. A drumstick and a cimbal without a GEQ for fine and precise tuning only works in classical musi

[juniorParticipant]

The question is this, every time I need a GEQ in a channel and rotate it through the group I will lose an auxiliary output which in my case is not interesting because the 12 outputs are already all used as returns. Allen & Heath should create a GEQ plugin in the same format as the plugin compressors so that it can be used directly in the input channels, I guarantee that everyone would like it even I would buy one without doubts

[Author]

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