[JPageParticipant]

It didn’t work on fresh templates, but I discovered it’s because the monitor DM0 receives the audio by ip direct outs which aren’t tied to a specific analog socket so no gain sharing.

What’s the recommended method for digital splits like this? ip direct out isn’t desirable because it’s post trim which means there’s no way to adjust input level at FOH without changing the level for the person on the split with ip direct outs.

[JPageParticipant]

When they were first set up the DM0s were sharing one gigace card but now Broadcast DM0 has a redundant gigace connection via mixrack IO port 3. Monitors has a redundant gigace connection via mixrack IO port 1. All mixracks are on V1.91

[JPageParticipant]

You can already trigger custom midi from a soft key. Are you describing something different?

[JPageParticipant]

Just the stage box log since all of them were too big.

EDIT:
Wow ok, just the text from the log since log files aren’t permitted.
It’s just this repeating.

Sun Nov 28 2021 10:56:53.632 :: ERROR: mTSnakeMessageQueue is full with 8192 elements. (file:///../../TLD/StageBox/../TLDCommon/TSnakeDeviceManager.cpp:1016:) :: 2 :: -1
Sun Nov 28 2021 10:56:53.651 :: ERROR: mTSnakeMessageQueue is full with 8192 elements. (file:///../../TLD/StageBox/../TLDCommon/TSnakeDeviceManager.cpp:1016:) :: 2 :: -1
Sun Nov 28 2021 10:56:53.671 :: ERROR: mTSnakeMessageQueue is full with 8192 elements. (file:///../../TLD/StageBox/../TLDCommon/TSnakeDeviceManager.cpp:1016:) :: 2 :: -1

[JPageParticipant]

+1. Or allow any two channels to be linked instead of only odd/even.

[JPageParticipant]

I’ve done both so maybe that disqualifies my voice as an audio guy lol. Practically though, the dark purple light makes it difficult to read the white text printed on the board in the pitch black, making jumping to and from the scenes page (and those other middle buttons) difficult. And adding white just makes it an ugly pink.

[JPageParticipant]

Ok, I wasn’t sure if the gigaACE card was different since it can carry more than audio and sometimes the updates update cards too.

[JPageParticipant]

Is it possible to update only one console on a multi-mixrack system? Or do any consoles that receives or sends audio over an IO port have to be on the same firmware?

[JPageParticipant]

The Mix Wizard on youtube made an extremely detailed 3 part video series about all the dLive compressors and interviewed Rob Clark at Allen & Heath who helped design them.

[JPageParticipant]

The disable, restart, and re-enable is only a temporary fix for me. I’m using the Analog/Network configuration and the only part of my setup that differs from the Shure Integration Guide is the lack of a network switch. Someone told me the Dante card was required for it to work properly but that doesn’t seem correct according to the guide.

[JPageParticipant]

+1 for me too. When feeding IEMs some drummers don’t want to hear gates but that means it’s also pre eq and compression so everyone else’s mix suffers.

[JPageParticipant]

Okay that got me signal, but no gain tracking option.

[JPageParticipant]

What about routing an FX bus return to an input in order to apply the tube stage to it? Could the delay compensation handle something that complex?

Edit: I see that FX buses aren’t compensated for to start with so that would be a no.

[Author]

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