Forum Replies Created

Viewing 8 posts - 16 through 23 (of 23 total)
  • Author
    Posts
  • #79088
    Profile photo of JoelKlein
    JoelKlein
    Participant

    Good morning Steffen!
    It is possible? how? I tried doing it last night, I passed true all processing while being Pre Fader.

    #79054
    Profile photo of JoelKlein
    JoelKlein
    Participant

    Same issues.
    I just bought the SQ5, an Ipad 2018 and an AD7000-Nighthawk X10 Smart WiFi Router.
    Setting it up in one room for testing, the iPad keeps on losing connection! I’m getting “Connection Lost”.
    It is very not stable!

    I did send an email to support. hope they reply quick!

    #79053
    Profile photo of JoelKlein
    JoelKlein
    Participant

    Congratulations!!!
    Will install it soon.
    Still no option to set the Matrix to Mono!
    I’m also waiting for a Hi-Cut Filter on the PEQ.

    #79009
    Profile photo of JoelKlein
    JoelKlein
    Participant

    The subs are right underneath the tops
    Doing that set up for nearly 30 years

    #78969
    Profile photo of JoelKlein
    JoelKlein
    Participant

    ok…
    I think I got it.
    Groups are like a DCA but WITH signal processing.
    If I would send all choir mic’s to a mix bus, by turning down the master level of the mix bus, would only affect the volume going to that mix bus output, but the choir faders themselves would not be turned down! even if it is all Pre fader, only the mix bus would get silenced. vs a group, all choir mic’s channels will change. do matter if it’s pre or post fader, the volume will be affected by the group fader. – just remember to swith OFF the LR to all group members. you don’t want the signal to go to LR and to the group… if it’s going to a group, it should get to the LR after the group.

    Another big advantage: I can send in all choir mics dry, and from the group send them to the Reverb and delay. so all choir mics are getting the same level effects like I’m doing in pro tools. and I set the group compressor ratio to infinity, which acts like a limiter. but I can still use compression/EQ on an individual choir mic if needed.

    #78967
    Profile photo of JoelKlein
    JoelKlein
    Participant

    Hi,
    I did that, I rolled the high shelf down to 160Hz, and pulled the db down, but….I was only “reducing it” with 15db, not completely filtering it out.
    for the FOH speakers, they get a full range and have built-in crossovers.

    #78931
    Profile photo of JoelKlein
    JoelKlein
    Participant

    Hi everyone,
    Thanks for this valuable discussion, since I face the same issue, The SQ5 dosnt have (yet) a LRC.

    I’m still stuck at trying to set up a crossover/low pass filter for the sub sends.
    I don’t want to add an additional speaker controler in the gig rack.

    I was able to do it on the X32 brand, I’m shocked the SQ5 doesn’t allow to lowpass??
    Please correct me if I missed anything.
    Thanks!

    #78911
    Profile photo of JoelKlein
    JoelKlein
    Participant

    Yah, I’m waiting for a mastering plug in, like a Maximizer to keep the levels hot but prevent from clipping.

Viewing 8 posts - 16 through 23 (of 23 total)