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Viewing 15 posts - 1 through 15 (of 17 total)
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  • #26151
    Profile photo of jheimberg
    jheimberg
    Participant

    Generally – when set to LCR Plus mode, you have two controls. One is left to right (ignoring the center channel completely), and the other is Blend, which is the balance between the LR bus and the Center channel.

    It’s quite a nice tool and we’re using the iLive that way, with aux fed subs.

    http://www.soundadvicetraining.com

    #26140
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    jheimberg
    Participant

    Are you sure you haven’t selected the LCR Plus setup? If so, you need to adjust not only the pan but the blend control to send signal to the center channel.

    http://www.soundadvicetraining.com

    #26106
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    jheimberg
    Participant

    Sam,

    We’re on 1.7, approx 95% free space (only one show with about 14 scenes). I’ll have the local guys check it for an exact number (I’m 14 hours away).

    I’ll submit a ticket with show files shortly.

    http://www.soundadvicetraining.com

    #26089
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    jheimberg
    Participant

    We thought about rigging a little clear plastic box over the buttons with a gaff tape flap so you can flip it open. We need the next/go buttons active, but don’t want to bump them…

    http://www.soundadvicetraining.com

    #25993
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    jheimberg
    Participant

    Could we get adjustable width or an old-fashioned ‘wide band’ option on the de-esser? The current one seems a bit ‘narrow’ to me.

    http://www.soundadvicetraining.com

    #25974
    Profile photo of jheimberg
    jheimberg
    Participant

    Id like to just echo an earlier thought from the other thread: It would be great to be able to link 2 of the three banks (t112).

    Also – it may be a stretch, but independent (even basic) channel EQ’s for aux sends… so we can have a true virtual monitor board with the wifi tablet.

    AND: It would be nice to be able to enlarge/customize the sliders in the editor software – it would make it easier to do MON from on stage with the tablet.

    Thanks!

    http://www.soundadvicetraining.com

    #26020
    Profile photo of jheimberg
    jheimberg
    Participant

    Sam – thanks – working good now!

    Another question – is there any way to set an aux send to pre-channel compressor?

    Take care,

    http://www.soundadvicetraining.com

    #26007
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    jheimberg
    Participant

    Ok, trying to install 1.7 on win vista laptop that had previous version 1.63 installed – keep getting error: ‘bad end of central directory record’

    Any ideas?

    http://www.soundadvicetraining.com

    #25918
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    jheimberg
    Participant

    Sam, any clarification on ‘imminently’? Getting ready to do an install next week a 14hour drive from home – would love to be able to get that in at the head of the game, if you know what I mean!

    http://www.soundadvicetraining.com

    #25908
    Profile photo of jheimberg
    jheimberg
    Participant

    Wolfgang – couldn’t you accomplish the same with the scene up/down/go keys?

    I also discovered (after much head scratching) that the soft key settings are saved by default to the scenes… I’m using them to recall emergency scene layouts, and every time I recalled one my soft keys were gone until I figured it out…

    http://www.soundadvicetraining.com

    #25906
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    jheimberg
    Participant

    quote:


    Originally posted by dschmoldt

    quote:


    Originally posted by jheimberg
    For example: I’ve got banks 1 and 2 in 3 layers for my mix channels, but bank three is FOH inputs, emergency mic, mains/etc – and I’d like that to be able to stay put while changing banks 1&2.

    In our setup, we’ve got three stages, to layers A/B/C on banks 1&2 are our stages, so being able to link those two banks would be a killer feature.


    One option is to link all three banks, then bring the same set of faders on each layer of the third bank. No matter which layer you switch to, the same faders will be in the third bank. I tend to run my DCAs in the third bank, and want them available all the time, so I bring them to all three layers.


    I tried doing that – but am finding I need some access to the added strips on those other layers on bank 3 – just not linked with my layers on banks 1 & 2.

    http://www.soundadvicetraining.com

    #25903
    Profile photo of jheimberg
    jheimberg
    Participant

    I would really like the option of ganging the fader banks together two at a time (t112).

    For example: I’ve got banks 1 and 2 in 3 layers for my mix channels, but bank three is FOH inputs, emergency mic, mains/etc – and I’d like that to be able to stay put while changing banks 1&2.

    In our setup, we’ve got three stages, to layers A/B/C on banks 1&2 are our stages, so being able to link those two banks would be a killer feature.

    Also – would it be possible to add some more colors for the strips? Maybe a color mixer? For example – I’ve got drums as yellow, but it would be nice to have an orange for my stage 2 drums, so in the heat of the battle I know which drums I’m grabbing!

    So far (after 18 hours) it’s a great piece of kit. Wish I had this years ago…

    Also – a question rather than a request: Is it possible to have scenes recall the layer setting? I’d like to load a layer specific scene and have the layers change… can it be done currently?

    http://www.soundadvicetraining.com

    #25809
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    jheimberg
    Participant

    I would be very interested in an iPad app – any A&H folks wanna comment on a possible timeframe? This year? ;)

    http://www.soundadvicetraining.com

    #25786
    Profile photo of jheimberg
    jheimberg
    Participant

    Ok, makes sense.

    As I’m thinking about it, isn’t what I’m trying to achieve very similar to LCR panning? Is that generally set up as thee discreet signals, or do L&R sum for C?

    http://www.soundadvicetraining.com

    #25779
    Profile photo of jheimberg
    jheimberg
    Participant

    Can I make it invisible to the user? I want the guy at the desk to just be able to grab the appropriate faders, and if it happens to be one of the lav mics, the feeds/levels are proportionally different than for a different channel.

    In my mind (too bad the mixing isn’t done there) I would think that creating a different mix matrix that the lav’s subgroup was assigned to would work – but not having had my hands on the desk yet I don’ know how that would work.

    http://www.soundadvicetraining.com

Viewing 15 posts - 1 through 15 (of 17 total)