[guyharrisParticipant]

Just be aware that your ‘copied’ mix into a stereo matrix will also have any EQing that you’ve carried out on your LR.

http://www.pianojam.nl

[guyharrisParticipant]

I am SOOOOOO impressed!

This is really a great upgrade – A&H have put a lot of effort into this, and really listened to their customers.

http://www.pianojam.nl

[guyharrisParticipant]

We are waiting for Apple to approve an app right now, and so I can testify to how slow they are!!

http://www.pianojam.nl

[guyharrisParticipant]

Hi Mario,

Yes – we tried all different combinations. Changing static IPs, DHCP on and off in various combinations, different subnet … Nothing worked.

quote:

---

Originally posted by Mario Sigl

Hi,
Just to keep you up to Date:
I forwarded a summary of this thread to the Apple-Support.
They are still searching for a solution.
They are also checking, if there are any differences, between iOS6 releases in different countries.
@ ddff: is your HTTP-Proxy in the iPhone W-Lan settings set to Off, Auto or Manual?
The Apple-Support asked, if anyone has tried to change the static IP-Adresses?
I didn’t try, perhaps someone did?

So far,
Cheers,
Mario

---

http://www.pianojam.nl

[guyharrisParticipant]

Hi Mario,

For us, the network is indeed, intentionally, not connected to the internet.

When I attached and shared an internet connection through my laptop, through the router, that didn’t help either.

All the best,

Guy

http://www.pianojam.nl

[guyharrisParticipant]

Hi peoples.

We have a major problem with iOS6 on the iPhone (which is what I use most of the time, once sound check is complete.)

As Mario points out, when connecting to a network that isn’t connected to the internet, the OS seems not to ‘connect’ properly, even though it shows up in the network list, and seems to be connected.

Starting Tweak, it does not show the iDR unit, so can’t connect.

I’m bringing our installation back to my home base this afternoon, to test it more thoroughly, and I’ll revert if we find a solution.

The workaround didn’t work for us.

I will have to try to go back to iOS5 if we can’t fix this problem.

Cheers!

http://www.pianojam.nl

[guyharrisParticipant]

I badly miss a multiband compressor. I am considering working around this problem by running my mic signals out of MADI, back into the Mac, processing them in Logic, and sending them back, and accepting the delay …

Pretty please with cherries on top?!

http://www.pianojam.nl

[guyharrisParticipant]

I agree completely. This isn’t clever. It’s plain bloody stupid. For example, if I’m accessing the iLive through a laptop, instead of the Mac that’s permanently attached for editing, and I want to work FoH, I haven’t got a clue which scenes are which … Døh!!

http://www.pianojam.nl

[guyharrisParticipant]

Takk for det, Vilddyr!

No – you’re correct: it’s not ‘surround sound’ as such. And it does indeed make more sense to use the matrix outs, rather than the “speaker processor” for the reasons you mention. I just hope I have enough buses with all the routing that we currently do with summed inputs for IEM routing … We’ll find out.

Thanks again!

Guy

http://www.pianojam.nl

[guyharrisParticipant]

No regrets, no major complaints. Using only the Editor software changes the way you work slightly, and there are a couple of advantages you lose: like the ability to shut down the Mains DCA at the swipe of your hand if you get a huge feedback for example. But the few disadvantages are outweighed, in my opinion, by the cost saving and the flexibility of the wireless set-up, including the space saved in the FoH installation. We have never had any wireless problems.

http://www.pianojam.nl

[guyharrisParticipant]

An old thread, but we had great success with our 19″ UPS. It normally runs the whole
FoH rack, which is basically every except the amps. It runs for about 7 minutes before we lose everything, which is enough. It is currently being refurbished, and we’re adding a Furman conditioner between the UPS and the iLive on its return.

http://www.pianojam.nl

[guyharrisParticipant]

Hi Scott,

No – you can’t do that. To do that, you need to use the iPad app, which is very good, but it’s not free.

However: you can do a lot with MIDI, depending on what you’re doing on stage. We use the PL10, as a controller, which is extremely configurable and relies on a cable, rather than wireless.

Hope that helps!

Cheers!

http://www.pianojam.nl

[guyharrisParticipant]

No. I would like to see a few things like that, but I think your best bet is probably to try to configure something using MIDI.

http://www.pianojam.nl

[guyharrisParticipant]

quote:

---

You are dreaming if you think your ears are good enough to tell the difference between a signal delayed by just over half a meter.

---

That’s absolutely correct; there is a lot of BS talked about this kind of thing. Apart from anything else, live music with sound sources on a real stage are an awful lot more than 69cm apart, and with monitoring almost certainly not pointing the same direction as the FoH system, there is a lot of mish-mash of direct and indirect sound IRL. However, although it’s impossible to ‘hear’ the difference between sound delayed by 2 and 5ms, it is possible to ‘feel’ it in other ways: for example, I’ve introduced a 3ms delay into the piano sound being produced by Mainstage, through MADI, into our in-ears, because otherwise it felt like the keyboard was being played even before you pressed the key!

As a passive listener in a normal auditorium, I would not give much credit to anyone citing any meaningful effect in such a situation.

http://www.pianojam.nl

[guyharrisParticipant]

Yes, killer. Like I think Sam will come and kill you personally!

http://www.pianojam.nl

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