[FabulophoneParticipant]

Update : after 1 day of clear sound, suddenly the distorsion is back again :-/
I had no bad cable patched to the mixer, all through the stagerack. I also test to disconnect stagerack and just plug my laptop on the SQ (USB and analog connection) and that was all the same. So I think it’s more something with the audio driver of the mixer.

[FabulophoneParticipant]

+1 for expander
(in the gate’s libs of all A&H digital desks 😉

[FabulophoneParticipant]

DEEP processing EQ’s sounds like the sexiest feature suggestion in this topic, indeed 😉
but the most useful things before this would be definitely : on/off switches for each filter + RTA on the PEQ window.

[FabulophoneParticipant]

Hi Steffen, thank you for your interest in this subject ; I work regularly with a D-Live and that’s maybe why I am now looking for a mixer that could offer me such a powerful -though obvious- scene recall filters interface 😉
But you’re right, it’s not the same project, and definitely not the same budget! SQ seems anyway to stay in a very good quality-budget range. All the other mixer on the market around that price (X32, QU32, Si performer,…) offer about quite the same capabilities on that question and after all, we’ll have to deal with it.
I’m not a fan of Yamaha but I must say that the QL scenes menu are really well designed too. For the rest I find they are too expensive for what they do but that’s maybe why they are so popular in the theatres in my region (France, Belgium)

[FabulophoneParticipant]

Hi, and thx to everyone who answered the topic,

So if I understand well and if the SQ ‘s scene menu looks like the Qu one it means that we can :
– or “safe” a whole Channel without isolating its Eq or routing from its preamp, filter, or wathever.
– or filter scene by scene 28 parameters like patching, routing, preamps,…etc but not specifically linked to one channel or another (GLOBAL filter)

So it looks like I cannot “safe” the processing (Eq, dynamics) of some channels (or bus) while I continue to recall their mute, levels, delay, and routing parameters scene after scene (?)

Which I could do on the GLD mixers for instance via the scene recall filter (see attached pic)

Or am I wrong?

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[FabulophoneParticipant]

Typing values. It’s not always easy and precise to adjust levels, sends, gain, threshold…etc by moving one finger on a tablet. It would be so convenient to be able to type values through a little pop-up, by double “clicking” on the button for instance.

[FabulophoneParticipant]

Yes please!….
As you’re able to propose us the AMM, you should be able to design quickly that little -but useful- tool 😉

[FabulophoneParticipant]

Well, it doesn’t look that this topic interests anybody else but me 😉
I guess I could find the answer by reading the manual of the mixer, but when would it be available?

[FabulophoneParticipant]

+1!!!! I use the IP8 since not long but I feel that there could be more assignable options.
And midi implementation through the IP controller could really be cool!
THX

[FabulophoneParticipant]

yes, in routing mode for instance, it should be really cool to type the send values ; typically to route busses in the matrixes it’s always nicer to type a -3, or -6dB than turn an encoder or push a fader until you see the right number. And as Albin says, it really makes sense when you work from the director.
Thx,

[FabulophoneParticipant]

Totally agree with Pete.
thanks by advance!

[FabulophoneParticipant]

I just get a S3000 in my venue, very good feeling at first! Very nice features already comparing with standard Yamaha’s that I know too well.
I can see there is now a ducker available in the gate slot, but why no expander? It’s super useful for us in theatre when actors are all miked so that we don’t get all the leaks and bleeds from the monitors and-or other actors. it helps a lot in terms of intelligibility.
THX

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