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  • #53329
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    calfredson
    Participant

    I’m curious, does the MIDI over TCP/IP only work if you are using the DAW app? I have configured a program to talk to the QU-16 over MIDI (via the USB port) using NRPN messages. I installed the driver for MIDI over TCP/IP and my program sees it as a MIDI port, but when I send the NRPN messages they are not received by the board.

    #53328
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    calfredson
    Participant

    Thank you for the input. I realize that getting 16 distinct outputs out of the QU-16 is difficult, but I think given the application that 12 would be enough. The key thing here is that we need a rackmount mixer in the lighting booth for smaller shows and to run the pre-recorded sound effects. I know that I can run the outputs of the QU-24 to the Qu-16 via the analog sub-snake, I was just hoping for an all-digital solution.

    Craig

    #38316
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    calfredson
    Participant

    I started way back in the day of audio tape as well, but we have come along way since then. The purpose of Q Lab (besides handling all of the prerecorded media in the show) is to sync all the technical elements in the show. For instance in a show you might have a “cue” when an actor snaps her finger. At that point you want the lights to change, a prerecorded movie file to play through the projector, a sound file to play through the PA, the actor’s mic to fade out and the musician’s guitar mic to unmute. The technician would activate the cue by pressing the space bar; Q Lab would then play the movie file and send it to the projector, play the sound file and send it to Qu 16 via the USB-B interface, send a MIDI show control message to the lighting board and send a MIDI Note on command to the Qu 16 to unmute the musician’s mic. The only thing that’s missing is the ability to fade out the actor’s mic. Sure, it would be simple enough to do that manually in this simple example, but when the cues get more complex, then it is nice to have everything automated.

    Craig

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