[BadgerParticipant]

Can anyone shed light on how to use that code on a mac? I have the same situation and need to fix a file that was corrupted.

IMO having to reformat the drive after every record pass is inconvenient when on tour.

[BadgerParticipant]

I’ve had randomly corrupted files every now and again when recording multitrack audio on my QU24. Recording wasn’t interrupted in any way.
I’m on mac so it would be good to find a way of fixing the files that get corrupted. Generally in file info they report the correct length but only play for a fraction of a second in VLC.
Any mac tips anyone?

[BadgerParticipant]

That’s good to know thank you

[BadgerParticipant]

Found it.
It was the LR mix safe tab (on the second page)

[BadgerParticipant]

The other delay feature is the one on the solo bus (for when you’re using headphones at the desk meters out front from the stage)

[BadgerParticipant]

Nice to see development which keeps the qu relevant and connected to newer hardware.
Let’s hope further updates keep coming addressing users frequently asked for sensible features

[BadgerParticipant]

Hey that’s a good idea to do it with a scene recall.
It’s just about being kind to the mics rather than avoiding a pop which can be muted FOH and in monitors with the main mutes.
Cheers

[BadgerParticipant]

I thought as much.
I was asking because 31-32 show up in core audio on my mac …which might have meant A&H had made a preference somewhere for routing direct to LR or something (like on the ZedR16) Wishful thinking then …

[BadgerParticipant]

Glad it’s been asked for by others.

[BadgerParticipant]

There’s nothing wrong with 48K in itself. It’s just if someone brings in a session at another sample rate you have to convert it. But you might just need to add one small overdub.

[BadgerParticipant]

I use a Zed R16 for recording. I wouldn’t consider a Qu for anything except live use as it’s fixed at 48K.

[Author]

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