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  • #89761
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    anaesthetised
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    +10

    #89610
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    +1000 for any form of clock functionality.

    I am aware the SQ has no RTC hardware, but that in no way means this can’t be implemented.

    It shouldn’t be too complicated to develop a software process loop which sleep()s for one second then increments an integer containing a standard UNIX timestamp. There would quite likely be some drift without a stable clock source but it would be much, much better than nothing. Adding an NTP client would be icing on the cake for all the SQs which are already network connected, but having to adjust the clock once per startup isn’t really a deal-breaker in many SQ applications. It would be a very small price to pay to be able to see the time in the corner of the touchscreen, and users who don’t care can opt not to use it; I‘d imagine it wouldn’t appear until set.

    Failing that – take a cue from my old Korg synthesiser (which also doesn’t have any real-time clock). In the utilities menu you can enter in a date/time that’s only used for saving files; it even remembers the last entry for next time. While it’s a pain to update it every time I save, it certainly helps with organising files later.

    I would very much welcome the Allen & Heath staff giving this feature some further thought.

    #89600
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    Hi Josh,

    You’re very welcome and I am happy I could be of help! It’s great to hear the service went well this morning and it can only get better from here.

    I think you’re right to take it step by step so as not to over-complicate things. Feel free to reach out again if anything else comes up.

    Take care!

    #89586
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    Thanks Søren – I knew I was forgetting something!!

    #89582
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    You’re most welcome. Try not to worry about it, these processes will become second nature with a little practise and understanding..!

    Make sure you’ve set the dry signal to -inf dB and the wet signal to 0 dB at the bottom right of the FX unit page. You only want to hear the processed signal and not the unprocessed signal; with mix->return you were combining the two, which is why you were experiencing feedback.

    If I were you I’d start with one unit inserted on the group (saving you some FX slots) and see how you get on. If you still end up with extra uncontrolled sibilance, you can look to inserting another unit directly on the offending channel.

    I’ve purchased the de-esser but I haven’t really had a need to use it yet, so I have no direct experience to share. But, like the other FX, I would probably start out by trying out the factory presets in the library and adjusting the controls from there while listening to the results. Your idea should work as well — the only thing I would do differently is start with higher reduction and response values in order to clearly hear it working while sweeping the frequency.

    Remember that if you PAFL an input channel, you will be grabbing the signal long before it hits the group with the FX insert. The best you will be able to do to ‘solo’ the de-esser in this application will be to PAFL the group, which should give the 100% wet signal from the de-esser if configured as mentioned. Note that if your “Input to PAFL Source” has been set to “Post Preamp” then you will need to change this to any other option in order to pick up the signal after the insert return (see page 71 of the reference guide).

    Have a bit of a play around anyway and come back on afterwards to describe how it went and whether you have any further questions!

    #89577
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    Hi Josh – you’re going to want to set this up as an insert on your vocal channel (or group), refer to the bottom of page 46 of the reference guide for instructions.

    https://www.allen-heath.com/media/SQ_ReferenceGuide_V1_4_0.pdf#page46

    #89576
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    +1

    #89538
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    +1000000

Viewing 8 posts - 1 through 8 (of 8 total)