[ioTonParticipant]

+1 for user defined default preamp gain.
Really most of the time +28 is way to hot!!!

+1 for ability to copy a FULL channel!
+ Preamp settings (Pad, 48V, Gain)
+ Assignment (to busses)
+ Mix Levels

Copy + Sel -> whole channel
Sel, Copy + Routing -> only routing
Sel, Copy + Processing -> only processing
Sel, Copy + In/Out -> only this block.

For my this would be way MORE logical!

Greetings
dd

[ioTonParticipant]

But Layer independent, or?

Maybe indicated by the LED?
Blue: LR
Red: Listen
e.g. Yellow: user defined

Could be useful!

+1

[ioTonParticipant]

Hi basd,

I’m using BomeBox:
https://www.bome.com/products/bomebox

There I’ve written some code with Midi Translator Pro:
When a Channel fader is higher than a certian Threshold,
then the Bome Box will mute this channel send to an specific aux mix.

I use this for live streaming, my setup:
Control monitors at FOH are controlled via master fader.
a little shoutbox is connectet to SQ (e.g. Mix Bus 1)

When I close the vocal mic, it gets assigned (by the Bome box) to this Mix Bus 1
So i can hear the vocal mic on my shoutbox.
When I rise the fader, bomebox will mute this channel from Mix Bus 1 via the assigning.

Give me a PM when you need some help!
greetings,
dd

[ioTonParticipant]

+1 to route FX Sends 1-4 via IO to any output!

Core fixed signal flow ok…
but routing won’t eat (more or less) any processing power!

And redesign the core:
This was also possible when creating mono matrices!

So: “I’ve there is a will, …”

[ioTonParticipant]

Hi Tom,

Main LR to Aux Mix is not possible with SQ on board tools.
(only with e.g. a dante option card you can route the MainLR via dante back to the input matrix… not very nice this solution)

But when you use Mix 1, and open the sends (post Fader) for all channels to zero dB (hold reset + rise the fader), then this mix will “follow” the main mix

Or something else:
You can use a matrix (a mix of mixes).
Route your audience to a group or aux mix (NOT to MainLR!).
Then route the MainLR and this mix to the Matrix.

greetings,
dd

[ioTonParticipant]

Hi Loïc,

if you think about it, all dave rat ever had, was mono groups.
That’s simply wrong

I think it’s a question of definition!
A single Fader, controlling two different signal paths is a stereo group?
-> H3000 has one Fader for one signal path… 😉
So only Mono groups! 😉

However, back to topic:

Stereo is in live environments definitely overrated

The dual Mono function can also be used for streaming, broadcasting…
Therefore, in some cases, it can be a good idea to unlink the dynamic processing.
I’ll give it a try (by using 2 mono groups)
Greetings, dd

[ioTonParticipant]

+1 for Ozdoc’s mention of the SQ4U App!
I’m no using this app – but there you can build groups of channels!!

Yeah – this is the right way!

[ioTonParticipant]

dlive has the MCA’s for this case.

at SQ you can do a workaround via MIDI 😉
I’ve used the BomeBox to build such groups.
In there, I’ve designed some rules to control via midi the Aux level sends.

But with SQ on boards tool this is not possible…

The only way is, if every musican will get the same mix of bacing tracks, you can build a regular group, and send this group to the Monitor Aux mixes…

greetings,
dd

[ioTonParticipant]

looks like a powersupply / hardware problem

But of course you can try fader calibration…

greetings

[ioTonParticipant]

+1

2nd:
When moving the HPF Encoder PLEASE open or STAY at the PEQ page. there is the HPF visible…
when adjusting the EQ, for me – HPF is a part of this process – an because of this the HPF is also visible in the PEQ page.

so at least for me there is NO NEED to switch the screen to the HPF view! – it’s useless and disturbing

greetings,
dd

[ioTonParticipant]

+1

[ioTonParticipant]

+1

Maybe by double tap the SEL button?

[ioTonParticipant]

Hi dave,

One little thing: be aware, that the network connection between 2 DX Stageboxes (in Daisy-Chain mode) will introduce some latency between them. This “can” be a noticeable, e.g. in some stereo Recording scenario, where 2 microphones are placed at exactly the same position like XY, or small AB an connect one of them to DX1 and the other to DX2. Then you can get a slightly move of the localisation, because of the delay time between the two mics.
Greetings,
dd

[ioTonParticipant]

Hi pjkflyer,

Yes it’s possible.

Have a look here (Technical Datasheet) at the SQ System Block Diagramm:
https://www.allen-heath.com/media/SQ-6-Technical-Datasheet_G.pdf
You’ll see that SQ offers a Listen Bus (for you speakers) and the PAFL bus.

A&H Session on SQ Signal Monitoring:
https://www.facebook.com/AllenHeathofficial/videos/4326468394081308/

greetings,
dd

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[ioTonParticipant]

looks like an hardware failiure?

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