[ioTonParticipant]

You can route every input socket to any channel in the I/O Matrix

eg local input 1 to every input channel 😉

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[ioTonParticipant]

Hi WaihekeSoundie,

As MarkPAman wrote – you don’t have to switch to the group “Layer” -> it still doesent exist.

For me – i like Blockdiagramms a lot – so here’s the Input Channel Routing of SQ.
You can see the Fader is the same for LR and for the groups. The difference is the Assign switch (on / off)

BUT: Aus Mixes (here is the Word MIX) have a control (labled with “LEV” in the diagramm) to do a auxillary mix (witch can be pre or post of the Fader.

Hope to cleared up the thing 😉

greetings,
dd

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[ioTonParticipant]

If you work with 2 consoles:

you need 2 free channels on each console:
ch 1: (TX console 1) use Sig Gen as input – route the Direct Out to to RX console 2 via sLink or Dante or Analog
ch 2: (RX console 1) gets the Direct Out of TX console 2

use Pinknoise – Gain on the RX channels + 20 dB
Softkey to mute / unmute the TX channel.

=> the Layerbutton (A-F) where your RX channel is locatet will indicate the PEAKing Pinknoise with a nice flickkering when there is Signal from the other console send…

Be aware of doing nothing wrong with highlevel pinknoise… 😉
maybe a Sinewave of 20 Hz is less critical on a PA… 😉

greetings
dd

[ioTonParticipant]

Yeah you’re absolutly right – a little Faderwing isn’t that expansive…
But to find a small programmable! Faderwing – so that i can Control e.g. 12 Channels with one Fader (Because i have a 12 Ch Dimmer e.g.) is not so easy.

And it would be the finest thing to have the Fader one the same desk – at the surface whereever i want it to be 😉

greetings,
dd

[ioTonParticipant]

Hi Keith,
Thank you for the fast and compete answer!
The idea is to use the faders (Midi) and convert it to DMX.

I’m doing many small shows with only white light – so 2-3 Faders are enough.
So to have the faders on the same desk would be really fine!

Any ideas of somebody else how to set this up?
In the normal case I won’t use Laptop.

Maybe I’ll try it with the Raspi…

Thanks again!

Greetings,
dd

[ioTonParticipant]

HI Folks!

I read this article while ago – an yesterday i turned the EQ knobs – wondering why the FX Return EQ isn’t responding….

BUT: I screwed up the EQ of my Vocals….. =(

Keith – i got the philosohy of the selectet Channel – BUT THIS BEHAVIOR IS NOT OK!
when i pull the “PEQ” Button in the FX Window -> set the FX Return Channel to SELECT – an the “Problem” is solved…

dd

[ioTonParticipant]

Hi,
The accumulator has always a higher bit depth then the rest of the data structure.
otherwise it won’t be able to calculate multiplications or summaries. To get a valid result which can be higher on number as the 2 start values, the accumulator is “bigger”.
And nowhere is written what the internal bit depth is.
550dB is definitely nonsense!
SQ 5 can easily clip!
When the metering in any stage go to peak – a few dB more an the clipping is audible.
Greetings,
j

[ioTonParticipant]

Hi Hugo,

I think you set the width of the PEQ to maximum – or?

GEQ: fixed Bandwith of 1/3 Octave = 4,36 width
PEQ: max width of 10

greetings,
dd

[ioTonParticipant]

Routing is done in the SQ on the I/O Screen.
This Matrix is important.
There you decide where the signals go to.
greetings

[ioTonParticipant]

Hi guys,
I think something got mixed up:

-> Loudness measured in LUFS has nothing to do with the acoustic environment. And also the scale of the Qu cannot show LUFS.

-> SPL Metering has to be measured in the Room. And it will change when people (absorbing material) is in the Room – so if the room is empty your SPL will be higher, because the room will reflect more, instead of absorbing the soundenergy.
SPL can be measured weighted, fast, slow, impuls. But there’s no long- nor short-term SPL! It can be integrated to an LA,eq over a time interval.

-> the dB Scale is also something else.

So I think the title of the thread is wrong – you want to measure SPL to get a maximum LA,eq isn’t it?
So it’s a maximum Soundpressure Level – not Loudness.

But I don’t now what the American Law is about. Maybe you can give us European the info 😉
greetings

[ioTonParticipant]

Shure – maybe it’s more the little, little 15 years younger sister 😉

[ioTonParticipant]

Hi Steffen,
I realized now, that I can use dca’s to gang output faders.
That’s my need – to control Aux and Mtx Faders at once.

But on the dlive it’s possible to gang Outputs – isn’t?

Maybe there’s also once a situation where the ganging of the processing in Auxes is needed?
Monitoring?

But I understand that the little Brother of the dlive won’t have all the same specs 😉

Greetings

[ioTonParticipant]

Please also output ganging would be a big Thing!

[ioTonParticipant]

+1

[ioTonParticipant]

Hi Alex,

Thanks for the answer + temprarily solution!

greetings

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