YES, that is easy to do when I am seated in my studio control room monitoring the Waves card input to my DAW: however the desk is not necessarily manned with our live shows but the primary video camera always is.
(Our live show protocol features an artist controlled dynamic range that is an entirely different subject that we could discuss on a different thread) A one hour set captured on my glyph HD that is split and bounced into selection segments is the best work flow for me and it has nothing to do with my SQ Waves card.
I raise this issue because the internal recording capabilities of most all A&H desks are for recording a live performance when the desk is the primary SR FOH tool. I learned the hard way many years ago the multitude of problems associated with starting and stopping the HD while the performance is going down, so for me it is on without disruption for the duration of the set, then properly disengaged and started back up when the next set begins.
This may or may not be of interest to many of our thread readers however the absence of much info pursuant an internal SQ-drive best practice protocol needs to be addressed comprehensively.
Hugh
