Forums › Forums › iLive Forums › Archived iLive Discussions › suggestions
- This topic has 537 replies, 136 voices, and was last updated 11 years, 6 months ago by KB7981.
-
AuthorPosts
-
2011/04/19 at 10:29 pm #28037StixParticipant
quote:
Originally posted by camhisseyHow about, dont automatically assign all my channels to Main Mix outputs!!! every time i make changes to my mix setup, it reassigns everything to the main mix, very frustrating when you are using all the IP channels and have to change them again.
Just recall a scene after you have done the mix setup change to reset your assignments
Cheers
Richard Howey
Audio Dynamite Ltd
IDR48/IDR16/T112/R722011/04/20 at 7:08 am #28040AnonymousInactiveyes I hadnt got to a point of creating scenes for the show I was setting up before having to re-jig the mix setup. wont make that mistake again!
quote:
Originally posted by Stixquote:
Originally posted by camhisseyHow about, dont automatically assign all my channels to Main Mix outputs!!! every time i make changes to my mix setup, it reassigns everything to the main mix, very frustrating when you are using all the IP channels and have to change them again.
Just recall a scene after you have done the mix setup change to reset your assignments
Cheers
Richard Howey
Audio Dynamite Ltd
IDR48/IDR16/T112/R722011/04/21 at 3:33 pm #28058AnonymousInactiveI would like to the geq go down below 63hz
2011/04/22 at 9:12 am #28061jimvoyagerParticipantA single master view on the surface screen would be great with all inputs, outputs and gating / compression visible at once. I know you can get 16 or so ins and outs of your choice up in the user profile or plug in editor but it would be nice to see the whole lot at once. Obviously there might be screen resolution limitations.
JimR72 & IDR32
2011/04/27 at 9:33 am #28088Philip-AdlamParticipantHi, great system.
I would love to see the addition of aux controls to the midi-tcp/ip spec.
Or alternatively a 24 rotary pl10?Also please introduce a way of adding planet control to foh for the t series. This makes such a massive difference for selecting the mix button, aka Softkeys.
Or
Rock-Tech
sound … lights … video2011/04/27 at 9:51 am #28089Philip-AdlamParticipantOr perhaps a softkey extender. I could easily justify 24. Instead of the 8 on board
Can we also have rgb control over the strip colour. Or the ability to add custom colours. We quickly ran out of options! Especially when you’re trying to highlight a specific channel.
It’s been mentioned before, but an ‘insert a scene’ feature would be really useful. simply shuffle all the scene numbers down by one until there is a blank space. Doing that by hand is hardwork!
Rock-Tech
sound … lights … video2011/04/27 at 2:29 pm #28090KB7981Participantquote:
Originally posted by Philip AdlamIt’s been mentioned before, but an ‘insert a scene’ feature would be really useful. simply shuffle all the scene numbers down by one until there is a blank space. Doing that by hand is hardwork!
Rock-Tech
sound … lights … videoThe problem I could see with “Insert a scene” would be, what happens to the last scene in your scene list, and/or where does the scene you inserted come from? Is it the next available open scene, the last available open scene? What happens to any softkeys that are assigned to recall a specific scene? Do they recall the same scene number or now the scene where it was moved to?
Why not use the “Reorder” mode and move in an empty scene to where you want the scene inserted? This allows you to move a scene from anywhere in the list and place it where you choose.
Or is this not the same thing you were trying to do?
It`s quick and easy. About 5 or 6 quick steps to complete.On a side note: One thing I would like to have is the ability to see when I last saved the selected scene. Was it 5 minutes ago, 10 minutes ago, today, yesterday, last week, etc.
Kris
Indiana, USA2011/04/29 at 10:22 am #28097AnonymousInactiveHi,
it was mentioned a few times above, but I want to push this topic:)
We would like to have some kind of room tuning tool in the GEQ/RTA section.
Today we are using a DBX Driverack, for the mains and doing the monitors manual.
I think it would be time/weight/cable saving to have this done by the system.Another thing is, that I would like to have a more detailed user access system:
The situation is the following:
Our keyboarder also has editor installed to tweak his iem’s on his own. But he should not play with the rest
So optimum solution would be, just give him the rights on the IEMs and its mix.
Probably this is possible with some kind of different connection from editor, which just loads this special channels and IEM channel set as default mix.Best regards
idr32
Editor only (3 times)
Korg nano
Dante soon2011/05/02 at 10:58 am #28123mumuParticipantquote:
Originally posted by cyrus100Another thing is, that I would like to have a more detailed user access system:
The situation is the following:
Our keyboarder also has editor installed to tweak his iem’s on his own. But he should not play with the rest
So optimum solution would be, just give him the rights on the IEMs and its mix.
Probably this is possible with some kind of different connection from editor, which just loads this special channels and IEM channel set as default mix.unless he is not a mean person (wants to mess up other musicians mixes)
just built him a custom layer in editor..although your idea is correct
specially when you have musicians not knowing the system,this would be
a “right issue” for the admin where you just would give access to his aux.cheers
daveallen&heath iLive-144 /idr 64 / idr 48 (i am convinced audionate is not delivering coz i am a frank zappa fan)
2011/05/02 at 12:06 pm #28124BiggsoundsParticipantquote:
Originally posted by mumuQuote:Originally posted by cyrus100Another thing is, that I would like to have a more detailed user access system:
The situation is the following:
Our keyboarder also has editor installed to tweak his iem’s on his own. But he should not play with the rest
So optimum solution would be, just give him the rights on the IEMs and its mix.
Probably this is possible with some kind of different connection from editor, which just loads this special channels and IEM channel set as default mix.I agree – building a custom strip is one thing, but you only have to have the player accidentally hit a mix button in the middle of the gig & all of a sudden they’re mixing front of house (and in wild and exaggerated ways because they’re not hearing the changes they thought they would in their monitor!). A custom login with specific access rights sounds like a great idea.
iDR32 mixrack
MixRack for iPad & Tweak for iPhone apps
Asus N61 Laptop (x2 wireless)
Sennheiser IEM (for PFL)
Dante card (soon!)2011/05/02 at 12:26 pm #28125VOLCANOJEFFParticipantmumu, Biggsounds, You guys have a great Idea here. This is something theat I have looked at several times. Personal monitor mix is getting to be a bigger selling point for some other systems. It is also something that would make the I-Live system a more complete system(already great bang for the buck). After working with other software that is out there, they have a remote that links via TCP/IP to the host editor. Then pass word protected for each(up to 24) monitor mixes from 24 different remote computers or tablets. Something like thi would be a really nice added feature for Allen And Heath. Would likely make a lot more secure for the end novice user and a great added selling point for the system as a whole. Our drummer is tone deaf and in a seperate romm. He Loves the editor but would be real bad if he ended up making changes to the FOH-
JEFF FLOWERS
VOLCANO ADUIO PRODUCTS
SHEPHERDSVILLE KY-USA2011/05/02 at 8:15 pm #28130kentlowtParticipantquote:
Originally posted by VOLCANOJEFFmumu, Biggsounds, You guys have a great Idea here. This is something theat I have looked at several times. Personal monitor mix is getting to be a bigger selling point for some other systems. It is also something that would make the I-Live system a more complete system(already great bang for the buck). After working with other software that is out there, they have a remote that links via TCP/IP to the host editor. Then pass word protected for each(up to 24) monitor mixes from 24 different remote computers or tablets. Something like thi would be a really nice added feature for Allen And Heath. Would likely make a lot more secure for the end novice user and a great added selling point for the system as a whole. Our drummer is tone deaf and in a seperate romm. He Loves the editor but would be real bad if he ended up making changes to the FOH-
JEFF FLOWERS
VOLCANO ADUIO PRODUCTS
SHEPHERDSVILLE KY-USAWould be nice to have some kind of aux only app for ipad(or ipad like device with audio) and then tunnel a stereo signal back to the ipad.So that you can’t accidentally change something with FOH
112T/IDR48/IDR16
2011/05/02 at 10:26 pm #28133AnonymousInactiveThis would be huge!!! We use our scenes to make adjustments between worship, preaching, and pre/post service at our church. The instant change between scenes has caused some ugly cut-offs.
quote:
Originally posted by brycelarsonI would love to see timing available on scene recall – crossfade times. This would allow timed panning, channel level etc to be stored and recalled.
-Bryce Larson
Production Manager
The Arts Center on 7
bryce@minnetonkatheatre.com2011/05/02 at 10:28 pm #28135AnonymousInactiveI’m still waiting on an Android app for the iLive. Not all of us are big fans of the ipad or iphone and in my opinion the Android OS is much more versatile and stable than that on the iPad.
2011/05/02 at 10:31 pm #28136ThomasBParticipant+1 for the android
IDR 48 T80
-
AuthorPosts
- The forum ‘Archived iLive Discussions’ is closed to new topics and replies.