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Like the OP, I set up channels 1-16 as band, and 17 up for radio mics etc., because back in the day, the dSnake input channels used for the band weren’t patchable. That arrangement still works well, given the current constraint on Qudrive playback for virtual soundcheck, which can only return signals to input channels 1-18.
To make wholesale flips from scene to scene or layer to layer goes against the fixed channel pattern and absence of electronic scribble strips. (If I wanted flexible channel assignment then I would have selected the GLD, but the requirement for intuitive use by novice operators drove me to the Qu-32.)
What would be really nice would be to the ability to select AMM on channels 1-16, 9-24 or 17-32.