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Hi Andreas,
I know you’re probably right but the problem is that the vocalist sings in front of a 20 man live orquestra (without mics) and many times I need to turn up his mic a lot with resulting feedback problems, and he actually uses in ears monitors. I just hope that this will help me ringing out the system and maybe help me in the live situation as well.
As i said, I’m a newbee somewhat forced into this since my 16 year old son is studying to become a singer and often we found ourselves participating in concerts with poorly organized soundreinforcement. Since I’m the one in the family who likes to “play” with the gear, I’m more of a tech guy without “golden ears”, I’ve taken the roll as the sound guy with all the respect to the true audio engineers out there I just try to do my best and hope that the DBX will help me out. I have really read a lot about different ways to solve feedback problems and I believe that I know the basics about mics polar patterns, speaker placement, mic placement, correct gain structure etc and I’ve read about and tried pink noise, white noise, rta’s, geq’s, peq’s etc but there’s still feedback problems sometimes. Really, as I said, I don’t want to take the discussion but thanks for taking interest in my problem.
Regards
Peter