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The great thing about iPad control is that you can stand right with the “artiste” and hear essentially what they’re hearing…or SHOULD be hearing.
Things like complimentary EQ between the voice and any other content of the Mix, delay, EQ/HPF and such can then be understood from the user standpoint. Building the Mix and then adding the other instruments one by one to identify any gross conflicts between on-stage sources and wedges is also handy…as can be delaying the mains if necessary.
It’s a big canvas. Selecting your colors and applying them in complimentary fashion is the art. If the user is deaf or just dumb it will be obvious and it’s THEIR problem.
You’ve done your best.