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Copying FOH to monitors may be a starting point if you’re using IEMs only. But for wedges I would only feed those channel(s), which are required by each musician for orientation (i.e. Bass may need HiHat/Snare, Singer may need keyboards plus a little guitar, Guitar may only need keyboards, Drummer wants Bass only) along with the own instrument.
Too much “others” on wedges make performance difficult for the musicians, which in turn will request to make their own instrument louder on monitors, so you’ll get more mud from the stage and need to rise FOH volume as well. Feeding only as little as required to the (hopefully directional) monitors could greatly reduce the overall FOH volume leading to a better experience for both the audience and the band.