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I have all our monitors set to “Pre” eq so any adjustments that have to be made to the channel fader do not alter the monitor mix. I have GEQ activated on all monitor mixes were I genrally roll off the high frquencies to avoid feedback and I also cut around the 100/125hz range to minimise any bass boominess. However, the latter part isn’t always an issue.

Your mic of choice can contribute to any feedback that you maybe experiencing, SM58’s being one the worst offenders, I use an Audix OM-7 that is great for feedback rejection, and for my money, has a better all round tonal quality.

Also think about were you have your monitors placed on stage in conjunction with your mics, very important.