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Afterthought…was thinking for instruments that are prone to feedback onstage from wedges, i could use two mics (or a mic and pickup),one just for FOH and one for monitors. That way you have independent gain and EQ for FOH and monitors. Because last week during band rehearsal i was getting feedback from double bass from wedge monitor. And so i had to scoop out a lot of mids on PEQ, but the drawback of this was a less lunchy bass out in FOH