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But for recording this latency is absolutely irrelevant and normal for any type of digital recording, sorry. Even with the lowest possible ASIO buffer sizes you’ll add much more latency to the overall system. But this may completely eliminated from latency compensation. Either this is done automatically, depending on your host system and DAW or should be able to be adjusted manually.
Of course you need to verify and optionally adjust your system once to obtain zero latency (playback signal through monitors, record that with a microphone and a second track and peaks should match). But this all makes sense only, if your musicians are “synchronized” to headphones, otherwise each foot (30cm) distance to your monitors will add another mSec delay. Much more that we have from the Qu (or any other digital system).